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Established in 1994 Galeria Aniela won the trust of some of the most important Australian artists including Charles Blackman, Arthur Boyd, David Boyd, Jamie Boyd, Lenore Boyd, Nathaniel Boyd, Bogdan Fialkowski, Pamela Griffith, Col Henry, Robin Holliday, Pin Hsun Hsiang, Danielle Legge, Regina Noakes, John Olsen, John Perceval, Celia Perceval, Tessa Perceval, Dino Rogliani, Kinga Rypinska, Garry Shead, Gaye Spencer, Michael Vaynman, Susan Weaver and also Arthur Merric Boyd, Emma Minnie Boyd, William Merric Boyd and Ray Crooke. We sell to a world wide buyer base, items of impeccable provenance and quality, recognizing the importance of a buyer confidence in purchasing genuine, authentic and original works of art. Galeria Aniela combines the knowledge of art and financial expertise. Our people focused approach ensures an enjoyable and a rewarding experience. |
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| Nyurapayia Nampitjinpa (1935) paintings - Mrs Bennett Email |
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Auction
Results
Mrs Bennett painting Untitled
sold for
$23,000 and The
Rockhole Site of Yumarra $19,200. |
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![]() Nyurapayia Nampitjinpa MRSB200614- 9580 synthetic polymer on linen 76 x 92 cm Buy Now Price: $ 6,800 |
![]() Nyurapayia Nampitjinpa MRSB200613-9568 synthetic polymer on linen 76 x 92 cm Buy Now Price: $6,800 |
Nyurapayia Nampitjinpa MRSB200611-9529 synthetic polymer on linen 152 x 46 cm Buy Now Price: $11,000 |
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![]() Nyurapayia Nampitjinpa MRSB200615 synthetic polymer on linen 185 x 152 cm Buy Now Price: contact |
Nyurapayia Nampitjinpa MRSB200612-9532 synthetic polymer on linen 152 x 46 cm Buy Now Price: contact |
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COLLECTIONS: Aboriginal art is the most important contemporary art to come out of this ancient land. Each painting tells a story as well as having an imposing decorative element to the art work. Aboriginal art is part of a living tradition and as the culture goes through a transition, major changes are taking place in the aboriginal communities and people move to the towns learning western ways. The artist’s age thus it is probably the last chance that anyone on this planet can buy such authentic indigenous work of art. Aboriginal paintings are powerful works of art that look superb in modern buildings and they signify, for the people who display them a connection with the present as well as the past. You have an opportunity to purchase the work of the mature, established artists who have had an original traditional aboriginal upbringing. Nyurapayia was a participant in the Kintore-Haasts Bluff collaborative canvas project in 1994. This resulted in an exhibition titled Minyma Tjukurrpa and was held at the Tandanya National Aboriginal Cultural Institute in 1995. Other exhibitions of her works include ‘Twenty-five Years and Beyond’ (1999) and Australia Perspective (1999). Nyurapayia favors the use of strong contrasts using blacks and pale yellows/creams set in relief against a red ground. Her designs are based on the stories relating to women’s ceremony and often depict the gathering of traditional bush foods and the rituals that are connected with their preparation. The depictions of the sand dune country and surrounding rocky outcrops bear a relationship to the designs used for body painting during the ceremonial dance referred to as “inma”. The remote Pangkupirri rock holes, a set of clear pools deep in the western desert's Walter James Range, are not well known in metropolitan Australia. But perhaps they should be, and one day will be: their sheer, red walls, the pinnacles and crags that surround them and the rivulets that flow from them are this continent's equivalent of the Saint-Remy gardens or the Mont Sainte-Victoire- a defining artistic landscape, associated with a single master. For Pangkupirri is the constantly depicted subject of "Mrs Bennett", Nyurapaia Nampitjinpa, the commanding figure among today's western desert women artists, a painter of the utmost force and will. The Australian February 15, 2010. Alternatively, link into your browser: http://www.theaustralian.com.au/news/arts/on-the-united-colours-of-bennett/story-e6frg8n6-1225830244462 Nyurapayia Nampitjinpa born around 1935, lives in Kintore however, she has developed a very free and original style in contrast to artists in Kintore who prefer the very precise dot-painting method.
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Auction
Results
Nyurapaiya Nampijinpa, born c1935- Australia (Aboriginal)
under the freedom of information through an extensive research, we compiled relevant facts including the links to the original source whenever possible. We found that sometimes a painting is sold with a different description thus for that reason (via the mammoth research) we included the images. We hope that you enjoy the services - credits below
We express gratitude to all Australian National galleries, Australian and International press, Google and Auction houses, without them our extensive research would not be available (compiling facts that have found relevant and useful including the links to the original source whenever possible). We hope you will enjoy the services.http://www.aasd.com.au/ |
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![]() Nyurapayia Nampitjinpa aka Mrs Bennett
synthetic polymer
on
linen
Provenance: Yanda Aboriginal Art
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MRSB200612-9532 Nyurapayia Nampitjinpa (aka Mrs Bennett) 152 x 46 cm Provenance: Yanda Aboriginal Art
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MRSB200614-9568Nyurapayia Nampitjinpa aka Mrs Bennett 92 x 76 cm Provenance: Yanda Aboriginal Art |
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MRSB200613- 9580Nyurapayia Nampitjinpa aka Mrs Bennett
synthetic polymer
on
linen
Provenance: Yanda Aboriginal Art |
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Nyurapayia Nampitjinpa aka Mrs Bennett
synthetic polymer
on
linen
Provenance:
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Nyurapayia
Nampitjinpa
(1935)
paintings -
Mrs Bennett
Nyurapayia Nampitjinpa born around 1935, has developed a free and very original style in contrast to the artists working in Kintore who prefer the very precise dot-painting method. Mrs Bennett paintings depicts a series of locations associated with Nyurapayia’s traditional homeland. The concentric circles represent sacred waterholes which are not only a reliable source of water but also significant ceremony sites used for the purpose of initiation. It is here that the senior women associated with the location referred to as “Punkilpirri” prepared for ceremonial rituals. The delineation of carious aspects of the land is represented by a series of parallel and oblique lines. These include the sand country referred to as “tali” and the rocky outcrops known as “puli” Both of these environments. Mrs Bennett lives in Kintore, her painting deceits women camped at the rockhole site of Yumarra, near Tjukula in Western Australia. The roundels show the camp sites of the women who had travelled from Punkilpirri, a large permanent water site, north-west of Docker River in the Walter James Range. They later continued their travels to the north through Tjukula and Tjalili. While at Yumarra the women performed the ceremonies associated with the area. They also gathered the edible berries and seeds growing in the vicinity. The "U" shapes in this painting show women camped at the rockhole site of Yumarra, south of the large permanent warter site of Punkilpirri, north of Docker River. The women later travelled north to Punkilpirri and Tjukula. As they travelled they gathered the edible berries known as kampurarrpa or desert raisin from the small shrub Solanum centrale. |
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Disclaimer Copyright Contact Galeria Aniela 261A Mt Scanzi Rd. Kangaroo Valley NSW 2577 Australia T: +612 4465 1494 |
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