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Charles Blackman (B.1928- )
more
Blackman paintings
Charles Blackman
"Alice in Wonderland"
Alice Paintings fetched
$1.2 million,
view the entire article
The
Age, 21 Oct.2006 Melbourne,
the ABC TV National News,
.
A portrait of Charles
Blackman by
Jon Molvig
won the
Archibald Prize
in 1966.
Blackman
and
Olsen hold
the record for the
Australian highest paid living artists, view
Blackman
Biography
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Charles Blackman
is only one of two living, most important Australian
artists still alive whose painting sold over one million
dollars.
“Alice in
Wonderland”
Sotheby's sold for
$1.2
million, a record price for a living Australian
artist (fetched
more than twice the previous record for the
artist's work in October 2006).
To
view the entire article click
The
Age, 21 Oct.2006 Melbourne,
the ABC TV National News,
Alice
Paintings.
Charles Blackman (born
August 12,
1928) is
one of the most
important Australian artists still alive.
As a young man, he worked as an illustrator with the Sydney
Sun newspaper while attending night classes
at East Sydney Technical College (1943-46). He
came to notice following his move to Melbourne
in the mid-1940s, where he became friends with
becoming friends with
Joy Hester and
John Perceval as
well as gaining the support of critic and art
patron
John Reed. His
work met critical acclaim through his early
'Schoolgirl' and 'Alice' series, the latter
Blackman's conception of
Lewis Carroll's
most famous character. For some time while
painting the 'Alice' series, Blackman worked as
a cook at a cafe run by fellow artist Mirka
Mora. Blackman married the poet
Barbara Patterson
in 1951. In 1959 he was a signatory to the
Antipodean Manifesto,
a statement protesting the dominance of abstract
expressionism. The manifesto's adherents have
been dubbed the
Antipodeans Group.
His work is associated with dreamlike images
tinged with mystery and foreboding. In
1960 he lived in
London after
winning the
Helena Rubenstein
Art Award-Scholarship,
settling in
Sydney upon his
return six years later.
Charles Blackman is one of only handful
Australian artists whose work attracted
international recognition since 1961 London when
the Helena Rubenstein Award.
After twenty-seven years
of marriage, Patterson divorced Blackman in 1978
and he remarried in
1989. He has won
many prizes and distinctions, culminating in a
major retrospective in 1993 and an
OBE for services
to Australian art in 1997.
A portrait of Charles Blackman by
Jon Molvig won
the
Archibald Prize
in 1966.
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Nude Circa 1968
Pen and ink on paper
Image Size:
52.7 x 75.9 cm
Framed size: 70
x 88 cm
Signed lower right
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Lovers Circa
1972
Charcoal on paper
Image size:
27.9 x 49.8
Signed lower right
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Title:
Dinner Party 1973
Medium: ink on paper
Image size:
50 x 64 cm
Framed
size: 80 x 94 cm
signed and dated top right: Blackman 73
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Price: Click on the image
BUY |
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Blackman was a co-founder of
the Melbourne Contemporary Art Society in 1953
and was one of seven Antipodeans responsible for
the Antipodean Manifesto.
Antipodean
Manifesto was a reaction against
what they saw as the meteoric rise of abstract
expressionism and non-figurative art in
Australia and its intolerance of figurative
painting.
Blackman
has exhibited frequently since and
is known for his facility in drawing.
In 1951
Blackman married a poet, Barbara Patterson, who
was to become a lasting presence in his work.
Blackman has won many awards throughout his
career, including the Rowney prize for drawing
in 1959, the Helena Rubenstein Scholarship in
1960, the Dyeson Endowment Award and the Crouch
Prize. Blackman's work was included in the
Whitechapel Open Exhibition in 1961 and Tate
Gallery exhibitions of Australian Art 1962-63. A
major retrospective, 'Schoolgirls and Angels,'
was organised in 1993 by the National Gallery of
Victoria, touring to Sydney, Brisbane and Perth.
In 1997 Blackman was awarded an OBE for his
services to art. His work is held in all Australian
state and most regional galleries,
institutional and private collections. |
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Title: Girl with Flowers
Medium:
Charcoal on paper on board circa
1985
Image size:
75 x 98.5 cm
Framed size: 116 x 140cm
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Price: Click on the image
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Title: Girl
with flowers
sitting by the window c.1960
Medium:
pastel on paper
Image size: 72 x 98cm
Framed size: 94 x 118cm
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Price: Click on the image
BUY |
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Title:
Crack-Up
1973
illustrated
Medium: oil on canvas
Image size:
91.5 x 96.5 cm
Framed size: 130 x 135 cm
signed top left: Blackman,
1973
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Price: Click on the image
BUY |
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Crack-Up is
an important museum quality painting from the
period
of Charles Blackman artistic acclaim following his victory of
Helena
Rubenstein Art Award-Scholarship
in London
(1961)
which started his international recognition.
Crack-Up
is only
one of few Australian paintings relating to the important
international art movement
Pop-Art.
In the 60's and the early 70’s
Australian artists,
situated far
from the rest of the world, seldom embodied the significant
international movements
except for some internationally renowned Australian artists.
In
1961-66
Charles Blackman lived in London in the centre of international
art, able to recognize and embrace the important worldwide art
progress of
Andy
Warhol style
identified as
Pop-Art.
Crack-Up
portrays
a
famous
American
writer
Scott Fitzgerald
and his wife Zelda. The black outline around two figures (Scott
Fitzgerald
and his
wife Zelda) epitomizes a rare Australian tie to the global
movement
Pop-Art.
Crack-Up is one of four, a small series of Fitzgerald paintings,
illustrated in the “Blackman
Lost Domains” page 128.
Scott Fitzgerald regarded as one of the
twentieth century's greatest writers and his wife Zelda
were good friends with the Blackman’s.
In
Crack-Up
Charles Blackman
depicts
Zelda in warm and
happy
tones yet, as she is peeled from the mind of her husband, almost
as she was Fitzgerald own creation. Blackman
portrays the troubled writer
Scott
Fitzgerald in dark chilly shades.
Crack-Up is a superb painting and indeed a brilliant work
of art.
It is a razor sharp, but tender, exciting and emotionally moving
painting opening feelings of the tormented writer, his passions
and suffering.
Charles Blackman is a major figure in Australian
art of the post-war years. His haunting and enchanting images of
women and girls, absorbed in daydreams or games have an enduring
appeal. Two significant themes in his work have been the
Schoolgirl and Alice in Wonderland. Deep shadows and the
accentuation of his figure's eyes occur throughout Blackman's
works with a pervasive sense of melancholy. |
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Barbara
and Cat
1969
Medium: oil on canvas
Image size:
91.5 x 96.5 cm
Framed size: 130 x 135 cm
signed bottom left: Blackman 1969
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Barbara
and Cat
1969
portrays Charles Blackman wife
Barbara Patterson,
a model and a poet
playing
with their cat.
Charles Blackman love cats and cats often found a way to a
number of series of his paintings.
Charles Blackman and
Barbara Patterson
married in 1951.
The
black outline around two figures epitomizes a rare Australian
tie to the global movement
Pop-Art.
Girl and
Cat
1969
an
important
museum quality painting from the
period
of Charles Blackman artistic acclaim following his victory of
Helena Rubenstein Art
Award-Scholarship
in
London
(1961)
which started his international recognition.
Barbara
and Cat
1969
is only
one of few Australian paintings relating to the important
international art movement
Pop-Art.
In the 60's and the early 70’s
Australian artists,
situated far
from the rest of the world, seldom embodied the significant
international movements
except for some internationally renowned Australian artists.
In
1961-66
Charles Blackman lived in London in the centre of international
art, able to recognize and embrace the important worldwide art
progress of
Andy
Warhol style
identified as
Pop-Art.
Charles Blackman is a major figure in Australian
art of the post-war years. His haunting and enchanting images of
women and girls, absorbed in daydreams or games have an enduring
appeal. Two significant themes in his work have been the
Schoolgirl and Alice in Wonderland. Deep shadows and the
accentuation of his figure's eyes occur throughout Blackman's
works with a pervasive sense of melancholy. |
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House in the Woods circa
1973
Medium:
Oil on canvas
Image size: 100 x 122.5cm
Framed size:
137 x 160 cm
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Price: Click on the image
BUY |
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Blackman was a co-founder of
the Melbourne Contemporary Art Society in 1953
and was one of seven Antipodeans responsible for
the Antipodean Manifesto - a reaction against
what they saw as the meteoric rise of abstract
expressionism and non-figurative art in
Australia and its intolerance of figurative
painting. He has exhibited frequently since and
is known for his facility in drawing. In 1951
Blackman married a poet, Barbara Patterson, who
was to become a lasting presence in his work.
Blackman has won many awards throughout his
career, including the Rowney prize for drawing
in 1959, the Helena Rubenstein Scholarship in
1960, the Dyeson Endowment Award and the Crouch
Prize. Blackman's work was included in the
Whitechapel Open Exhibition in 1961 and Tate
Gallery exhibitions of Australian Art 1962-63. A
major retrospective, 'Schoolgirls and Angels,'
was organised in 1993 by the National Gallery of
Victoria, touring to Sydney, Brisbane and Perth.
In 1997 Blackman was awarded an OBE for his
services to art. His work is held in all Australian
state and most regional galleries,
institutional and private collections. |
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Alice Tea Party,
1962 London
Alice paintings
Medium: mixed media on
paper on board
Image size: 135.5 x 150.5 cm
Framed
size: 170 x 185 cm
signed bottom left: Blackman, London 1962
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Price: Click on the image
BUY |
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Alice Tea Party is a
masterpiece
from
the period of
Charles
Blackman
artistic acclaim after
wining
Helena Rubenstein Art Award-Scholarship London 1961
giving
Charles Blackman
international recognition.
Only
few rare paintings from this period have
returned to Australia.
Charles Blackman Alice in Wonderland sold by
Sotheby's
fetched
$1.2 million,
to
view the entire article click The
Age, 21 Oct.2006 Melbourne,
the ABC TV
National News,
Alice Paintings.
Charles Blackman holds the record of the
highest paid living Australian artists.
Charles Blackman spent his
childhood in the Depression days in Sydney. His father left when
he was only four and his mother worked long hours to send
him and his sisters to school. Blackman hard upbringing gave him
a profound insight into the feminine mind. As women shaped his
life, Blackman is at ease painting feminine subject's
schoolgirls, Alice and his famous paintings of Zelda Fitzgerald.
His friend, Joy Hester, said "The hand and the eye of the
painter is what love is to a poet" and so Blackman's art has the
infinite power and universal appeal, Blackman is loved by all. |
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Title: Harp-Song
(Orpheus Suite series) 46/70
Image size:
75 x 100cm
Framed size: 105 x 135cm
SOLD
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Title: Girl with
Plaits 8/80 (Girls and Flowers suite)
75 x 100cm
Price: Click on the image
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Quartette 8/80
(Girls and Flowers suite)
75 x 100cm
Price: Click on the image
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School Girls 8/80
(Girls and Flowers suite)
75x100cm
Price: Click on the image
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Transformation
8/80
(Girls and Flowers suite)
75x100cm
Price: Click on the image
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Young
Woman circa
1973
Charcoal on paper
77.5 x 53.5cm
SOLD
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Artist:
Charles Blackman
(B. 1928- )
SCHOOLGIRL
1952,
from
the original Schoolgirls series
Medium: Charcoal on
paper
Image Size: 21.5 x
34.5cm
Signed
lower
right: BLACKMAN
SOLD |
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Charles Blackman
Title:
Girls in Boat
Medium:
Charcoal on paper
Image
Size: 47.5 x 38.5cm
Signed:
BLACKMAN
lower right
SOLD |
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Charles Blackman
Title:
HOUSE in the Bush
1973
Medium:
oil on canvas
Image
Size:
Signed:
BLACKMAN
top left
SOLD |
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Charles Blackman
Title:
PELICAN and Butterfly
1970
Medium:
oil on canvas
Image
Size:
Signed:
BLACKMAN
top left
SOLD |
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Charles Blackman
Title:
RAINING DOGS AND cats
1972
Medium:
Oil on Canvas
Image
Size: 50.5 x 74.5cm
Signed:
BLACKMAN
lower right
SOLD |
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Charles Blackman
Girl in the Window
1968
Mix Media
on paper
Image
Size:
Signed:
BLACKMAN
lower right
SOLD |
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Charles Blackman
Girl with
a CAT
1985
Charcoal
on canvas
Image
Size:
Signed:
BLACKMAN
lower right
SOLD |
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Blackman, born in
Sydney,
left school at thirteen or fifteen and worked
as an illustrator with the
Sydney Sun newspaper
while attending night classes at
East Sydney Technical College
(1943-46). He came to notice
following his move to Melbourne
in the mid-1940s, where he
became friends with becoming
friends with
Joy Hester
and
John Perceval
as well as gaining the support
of critic and art patron
John Reed.
His work met critical acclaim
through his early 'Schoolgirl'
and 'Alice' series, the latter
Blackman's conception of
Lewis Carroll's
most famous character. For some
time while painting the 'Alice'
series, Blackman worked as a
cook at a cafe run by fellow
artist Mirka Mora. Blackman
married the poet
Barbara Patterson
in 1951.
In 1959 he was a signatory to
the
Antipodean Manifesto,
a statement protesting the
dominance of abstract
expressionism. The manifesto's
adherents have been dubbed the
Antipodeans Group.
His work is associated with
dreamlike images tinged with
mystery and foreboding. In
1960
he lived in
London
after winning the Helena
Rubenstein Scholarship, settling
in Sydney upon his return six
years later. After twenty-seven
years of marriage, Patterson
divorced Blackman in 1978 and he
remarried in
1989.
He has won many prizes and
distinctions, culminating in a
major retrospective in 1993 and
an
OBE
for services to Australian art
in 1997.
A portrait of Charles Blackman
by
Jon Molvig
won the
Archibald Prize
in 1966.
Charles Blackman (born
August 12,
1928) is an
Australian artist.
Early life and initial success
Blackman, born in
Sydney, left
school at thirteen (some sources say fifteen)
and worked as an illustrator with the Sydney
Sun newspaper while attending night classes
at East Sydney Technical College (1943-46). He
came to notice following his move to Melbourne
in the mid-1940s, where he became friends with
becoming friends with
Joy Hester and
John Perceval as
well as gaining the support of critic and art
patron
John Reed. His
work met critical acclaim through his early
'Schoolgirl' and 'Alice' series, the latter
Blackman's conception of
Lewis Carroll's
most famous character. For some time while
painting the 'Alice' series, Blackman worked as
a cook at a cafe run by fellow artist Mirka
Mora. Blackman married the poet
Barbara Patterson
in 1951. In 1959 he was a signatory to the
Antipodean Manifesto,
a statement protesting the dominance of abstract
expressionism. The manifesto's adherents have
been dubbed the
Antipodeans Group.
His work is associated with dreamlike images
tinged with mystery and foreboding. In
1960 he lived in
London after
winning the
Helena Rubenstein Scholarship,
settling in
Sydney upon his
return six years later. After twenty-seven years
of marriage, Patterson divorced Blackman in 1978
and he remarried in
1989. He has won
many prizes and distinctions, culminating in a
major retrospective in 1993 and an
OBE for services
to Australian art in 1997.
A portrait of Charles Blackman by
Jon Molvig won
the
Archibald Prize
in 1966.
Later life:
After years of alcohol abuse, Blackman has been
severely disabled by
Korsakoff's syndrome, a brain disorder
affecting memory. After suffering a
stroke and
heart attack in
1994, Blackman has subsequently been under
full-time care. He owns none of his original
paintings, rents his home and survives on a
stipend arranged by his accountant of forty
years from the sale of his prints. The subject
of ownership of Blackman's paintings has been a
controversial issue, though his former wife
maintains that her possession of some of them
has been for the sake of preservation and that
she intends to donate them to galleries.
References:
Charles Blackman at
Australian Art Wilmoth, Peter.
An artist in wonderland.
From Wikipedia, the free
encyclopedia.
Even though
Blackman has shown the sustaining power to
originate a wide supply of superb images over a
period of five decades many of
Blackman early
paintings were destroyed during the Melbourne
fire except for some
which live to tell the tale.
The
work
Alice's
Journey was rediscovered in Perth in
May following a public appeal from the National
Gallery of Victoria. The painting is part of the
artist's
Alice in
Wonderland series and fetched $1.2
million. Mark Fraser from auction house
Sotheby's is remaining tight-lipped about who
the painting's new owner is.” It will go into a
very good private collection here in Melbourne,"
he said.” They’ve already bought other major
paintings from us this year, also record
breaking paintings. "It's going to be an
exceptional collection. I don't know if there
are any plans for it to be made available to the
public, but it's in very safe hands." Mr. Fraser
says he was not expecting records to tumble. "I
would have been perfectly happy with a result
around the $700,000 or $800,000 level - that
would still be twice the old record, but this
result is extraordinary," he said.” The old
record was also for an
Alice in
Wonderland painting set four or five
years ago, but it was a much smaller painting.”
This one was really considered the masterpiece
of that series and since the Alice series is
considered Charles Blackman's most famous
series, this is the Blackman to beat all
Blackman's." Tuesday, November 21, 2006 . |
Charles Blackman is one of only handful
Australian artists whose work attracted
international recognition since 1961 London when
the Helena Rubenstein Award. His most famous
series of Alice paintings came about after
listening to the classic Lewis Carroll book in
taped form with his sight-impaired writer wife,
Barbara. Being the inner and romantic painter
Blackman is able to translate the inner world of
childhood magic - the fairy tale, taking us to
the world of fantasy and joy. His Alice
paintings have universal appeal with her
fantasy, romantic spirit, beauty and mystery.
Blackman is one of those artists whose work
remains compelling for a large audience like
Nolan’s Ned Kelly, a fractured Picasso woman or
a Dali melting watch, his Alice's and tea party,
schoolgirls and lovers have become fixtures in
the modern imagination.
Charles Blackman spent his childhood in Sydney
in the Depression days. His father left when he
was only four and his mother worked long hours
to send him and his sisters to school. Blackman
hard upbringing gave him a profound insight into
the feminine mind. As women shaped his life,
Blackman is at ease painting feminine subject's
schoolgirls, Alice and his famous paintings of
Zelda Fitzgerald. Joy Hester, said "The hand and
the eye of the painter is what love is to a
poet" and so Blackman's art has the infinite
power and universal appeal, he is loved by all.
Charles Blackman is a major figure in Australian
art of the post-war years. His haunting and
enchanting images of women and girls,
absorbed in daydreams or games have an enduring
appeal. Two significant themes in his work have
been the Schoolgirl and Alice in Wonderland.
Deep shadows and the accentuation of his
figure's eyes occur throughout Blackman's works
with a pervasive sense of melancholy. Charles
Blackman was largely self-taught, but he
attended night classes in drawing and design at
the East Sydney Technical College from 1942-45
under Hayward Veal. Blackman was a co-founder of
the Melbourne Contemporary Art Society in 1953
and was one of seven Antipodeans responsible for
the Antipodean Manifesto - a reaction against
what they saw as the meteoric rise of abstract
expressionism and non-figurative art in
Australia and its intolerance of figurative
painting. He has exhibited frequently since and
is known for his facility in drawing. In 1951
Blackman married a poet, Barbara Patterson, who
was to become a lasting presence in his work.
Blackman has won many awards throughout his
career, including the Rowney prize for drawing
in 1959, the Helena Rubenstein Scholarship in
1960, the Dyeson Endowment Award and the Crouch
Prize. Blackman's work was included in the
Whitechapel Open Exhibition in 1961 and Tate
Gallery exhibitions of Australian Art 1962-63. A
major retrospective, 'Schoolgirls and Angels,'
was organised in 1993 by the National Gallery of
Victoria, touring to Sydney, Brisbane and Perth.
In 1997 Blackman was awarded an OBE for his
services to art. His work is held in all
Australian state and most regional galleries,
institutional and private collections.
Awards:
1997 OBE; 1963 Georges Invitation Art Prize,
Georges Gallery Melbourne (one painting and one
drawing); 1960 Helena Rubinstein Scholarship,
Melbourne; 1960 George Crouch Prize, Ballarat
Fine Art Gallery; 1960 Wins prize. A. Shore,
The Age
(February); 1958 George Crouch Prize, Ballarat
Fine Art Gallery; 1958 Rowney prize, Richmond
Gallery Melbourne. |
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Charles
Blackman
painting has fetched a
record price at auction.
Blackman's Alice achieves record $1.2m. 21/11/2006.
ABC News Online.
Charles Blackman at
Australian Art
(Peter Wilmoth).
Charles Blackman
most famous
series of
Alice paintings came about after
listening to the classic Lewis Carroll book in
taped form with his sight-impaired writer wife,
Barbara. Being the inner and romantic painter
Blackman is able to translate the inner world of
childhood magic - the fairy tale, taking us to
the world of fantasy and joy. His Alice
paintings have universal appeal with her
fantasy, romantic spirit, beauty and mystery.
Blackman is one of those artists whose work
remains compelling for a large audience like
Nolan’s Ned Kelly, a fractured Picasso woman or
a Dali melting watch, his Alice's and tea party,
schoolgirls and lovers have become fixtures in
the modern imagination.
Alice Tea Party is a
masterpiece is from
the
period of Charles Blackman artistic acclaim.
Alice Tea Party,
1962
London is
one of
only
few rare works returning to Australia from
London after Blackman won
Helena Rubenstein Art Award-Scholarship
in London 1961,
attracting international recognition.
Even though
Blackman has shown the sustaining power to originate a wide
supply of superb images over a period of five decades
many of Blackman early paintings
were destroyed during the Melbourne fire except for some
which live to tell the tale.
The
work
Alice's
Journey was rediscovered in Perth following a public appeal from the National
Gallery of Victoria. The painting is part of the
artist's
Alice in
Wonderland series and fetched $1.2
million. Mark Fraser from auction house
Sotheby's is remaining tight-lipped about who
the painting's new owner is.” It will go into a
very good private collection here in Melbourne,"
he said.” They’ve already bought other major
paintings from us this year, also record
breaking paintings. "It's going to be an
exceptional collection. I don't know if there
are any plans for it to be made available to the
public, but it's in very safe hands." Mr. Fraser
says he was not expecting records to tumble. "I
would have been perfectly happy with a result
around the $700,000 or $800,000 level - that
would still be twice the old record, but this
result is extraordinary," he said.” The old
record was also for an
Alice in
Wonderland painting set four or five
years ago, but it was a much smaller painting.”
This one was really considered the masterpiece
of that series and since the Alice series is
considered Charles Blackman's most famous
series, this is the Blackman to beat all
Blackman's." Tuesday, November 21, 2006. |
|
PRESS:
Art Interview
http://www.artinterview.com.au/artist-biographies/charles-blackman/
;
Sydney
Morning Herald
"Blackman in Wonderland" May 4, 2004,
http://www.smh.com.au/articles/2004/05/03/1083436536748.html?from=storyrhs&oneclick=true;
Fairfax
Reviewer, Penny Webb
May 11,
2005, Charles
Blackman
http://www.theage.com.au/news/Reviews/Charles-Blackman/2005/05/10/1115584956324.html
;
Ninemsn TV News "Charles Blackman
in Wonderland"
August 27,
2006
http://sunday.ninemsn.com.au/sunday/art_profiles/article_2057.asp,
The Age
(Melbourne)
http://www.theage.com.au/articles/2006/11/21/1163871404922.html,
Sydney Morning Herald
(Sydney)
http://www.smh.com.au/articles/2004/05/03/1083436536748.html.
Sydney Morning Herald "Blackman in Wonderland"
May 4, 2004,
http://www.smh.com.au/articles/2004/05/03/1083436536748.html?from=storyrhs&oneclick=true;
Fairfax
Reviewer,
Penny Webb
May 11, 2005, Charles
Blackman
http://www.theage.com.au/news/Reviews/Charles-Blackman/2005/05/10/1115584956324.html
Ninemsn TV News "Charles Blackman
in Wonderland" August 27,
2006
http://sunday.ninemsn.com.au/sunday/art_profiles/article_2057.asp |
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Charles Blackman Australian artist
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