Galeria Aniela

The World’s Local Fine Art

We specialize in the work of renowned Australian artists of high-quality and impeccable provenance

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Fine Art as an Alternative Asset Class

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Collecting art is one of the most enjoyable investments, essential to wellbeing.

Acquiring works of fine art, share comparable qualities with stock investments and real estate, but in a unique and fundamentally different class, and it may be good alternative, long-term investment.

A carefully selected work of art of impeccable provenance by an artist you admire, can offer a capital growth for generations to come.

An artwork is a tangible value-like property, but operates primarily on passion, and perception-driven subjective value that provides enjoyment.

Prints are more affordable but less likely to turn a profit. Like stocks, the barrier to entry can be low (prints).
An original, one-of-a-kind artwork in high-demand come can appreciate rapidly, based on the market trends and financial climate, with a potential greatest payoff in the future.

Art Value Love & Passion Dividend

Art value is driven by artist reputation, scarcity, cultural significance, and demand.

Buying purely on speculation can lead to bad investments.
Searching for a bargain clouds the judgment.
Too great preoccupation with the price can be counter-productive, exposing buyers to unscrupulous sellers and Counterfeit or Pastiche art.

Whereas, if you buy art you love, for the pleasure it gives, it will always hold tangibility and intrinsic value to you.

Artworks you love, offers an aesthetic and emotional passion dividend. Unlike a stock certificate or a deed, you live with art you love it, and making it a wellbeing-passion-asset rather than a purely logical financial math.

Follow your heart, build up your knowledge and search out the artwork you love of the artist you admire.

Art as an Asset Class & Financial Investments

The world art market operates in an economic model that considers more than supply & demand, appraisals require continual research, works of art are not fungible like stocks.

It is a hybrid type of prediction market where artworks are bought and sold for values based not only on a work's perceived cultural value, but on both, its past monetary value as well as its predicted future value.

Unlike the volumes in the securities market where millions of people and firms participate in buying and selling financial interests, or the commodities market where measures of raw or primary products are exchanged using standardized contracts, art market activity largely follows the demands of a more limited array of private art collectors, museums, and large corporate interests as the principal market participants.

Art frequently hedges against inflation and can offer stable returns, often compared to investments in gold.

Because art values correlate more with accumulated global wealth and cultural demand rather than interest rates, they historically serve as a unique hedge against inflation and market volatility.

The Math & Pricing

Art prices fluctuate, and vary from item to item, the quality and provenance and other seemingly unrelated elements can affect the value, and alter price by significant factor.
Individual works are traded at individual prices. The value placed on one artwork by the art market may differ from the critical value placed on the same work.
Living artists price their own creations individually by merit. Works of late artists are traded at individual prices in the prevailing collector’s opinions.

Indices like the Mei Moses Art Index perform on par with equities, however, art is not a quick-liquidity asset like stocks or bonds. It tracks all live and online auction sales at Sotheby's, Christie's and Phillips for artworks that previously sold at public auction, going back roughly 200 years.

Illiquidity: Both real estate and artworks are highly illiquid, and you cannot instantly liquidate either asset.

Long-Term Utility: Making a decision with long-term utility in mind helps gratification over an extended period, rather than focusing on instant gratification. Art is a long-term investment (10+ years), and primary return is aesthetic and emotional.

Art Market Trends Supply & Demand

The art market is motivated by social trends, and depends entirely on supply and demand, and this balance is uniquely driven by subjective cultural prestige, economy, provenance (historical ownership) rather than inherent utility.

To ensure that Art you acquire has an investment potential check the following:

Artist's Pedigree: the artist work has been featured in reputable galleries, or museums.
Provenance: confirms the artwork history of ownership, which protects against fakes and ensures inherent resale value. Art history has the essential role of supplying attribution, establishing opinion and authenticating what is offered on the art market.

Blue-Chip Artists | Masterworks & Museum-Grade

Ideally, buying art you love for the joy it gives, ought to take priority above the monetary investment.

	*Arthur Boyd* AC OBE (1920-1999) Blue-chip Artist. Drowned Bridegroom sold for $1.95M at Sotheby's (2018), Bride in Hibiscus Bush sold for $1,779M at Smith & Singer (2025). Legacy: Tate Gallery London, National Gallery of Australia, Queensland Art Gallery, National Gallery of Victoria, Art Gallery of New South Wales. Inquire About This Artist

	*Brett Whiteley* AO 1939–1992 The 'Rock Star' of Australian art. The absolute pinnacle of the Australian Blue-chip artist. Henri's Armchair sold for $6.136M, My Armchair sold for $3.9M. Inquire About This Artist

	*Fred Williams* AO (1927–1982) Blue-chip Artist. Masons Falls sold for $3.2M at Smith & Singer (2023), Hummock in Landscape $2.82M at Deutscher & Hackett (2020), Lysterfield Landscape $2.33M at Deutscher & Hackett (2022). Legacy: National Gallery of Australia, Museum of Modern Art (MoMA) New York. Inquire About This Artist

	*Charles Blackman* (1928–2018) Blue-chip Artist. Mad Hatter's Tea Party sold for $1.891M at Sotheby's (2017), The Game of Chess $1.799M at Sotheby's (2016). Legacy: Tate Modern London, Metropolitan Museum of Art New York, Musée de l'Art Moderne Paris, Worcester Art Museum USA, National Gallery of Australia, National Gallery of Victoria, Art Gallery of NSW. Inquire About This Artist

	John Perceval AO (1923–2000) Blue-chip Artist. Scudding Swans sold for $690,000 at Menzies (2010), Old Ships at Williamstown sold for $674,858 at Smith & Singer (2024). Legacy: Major retrospectives were held at Albert Hall in Canberra (1966), National Gallery of Victoria (1990), National Gallery of Australia (1992), Heide Museum of Modern Art (1984), Galeria Aniela Retrospective ABC TV National News (2000), Heide Museum of Modern Art (2026). Inquire About This Artist

	*David Boyd* OAM (1924-2011) Blue-Chip Artist. The King Found sold for $215,100 at Mossgreen (2008), Church & State sold for $118,450 at Archers Auctioneers (2024). Legacy: National Gallery of Australia, the National Gallery of Victoria. The 1997 Best of Boyd show garnered major national attention, featuring on the front page of the Sydney Morning Herald, ABC TV'S Australian National News and ABC TV's Sunday Afternoon. Inquire About This Artist


	*Ronnie Tjampitjinpa* circa 1943–2023 Blue-chip Artist: Tingari sold for $353,169 at Sotheby's New York (2019), Nagarru $213,054 at Sotheby’s New York (2022). Legacy: Musée du Quai Branly Paris, National Gallery of Australia, National Gallery of Victoria, Queensland Art Gallery, Art Gallery of Western Australia, Art Gallery of South Australia, Art Gallery of NSW, Museum and Art Gallery of the Northern Territory. Inquire About This Artist

*Nyurapayia Nampitjinpa* and Aniela Kos (2006)	*Nyurapayia Nampitjinpa* Mrs Bennett 1935-2013 Museum-Grade. Punkilpirri sold for $72,000 at Cooee Art (2019), Untitled 2005 sold for $50,400 at Art Leven (2022). Legacy: National Gallery of Australia, National Gallery of Victoria, Art Gallery of NSW, Art Gallery of South Australia, Museum and Art Gallery of the Northern Territory, Swiss investment Bruno Raschle collection, Kelton Foundation USA. Inquire About This Artist

	Ningura Napurrula c. 1938-2013 HMuseum-Grade. Woman's Birth at the Rockhole sold for $154,644 at Sotheby’s (2015), Woman at Wirrulnga $113,018 at Sotheby’s (2006), Women at Wirrulnga $91,500 at Deutscher and Hackett (2016). Legacy: Musée du quai Branly Paris, National Gallery of Australia, National Gallery of Victoria, Art Gallery of NSW, Queensland Art Gallery, Art Gallery of Western Australia, Museum and Art Gallery of the Northern Territory, HOOD Museum of Art Hanover, The Palace of Japan Tokyo. Inquire About This Artist

	*Minnie Pwerle* circa 1910-2006 Museum-Grade. Awelye Atnwengerrp sold for $78,000 at Menzies (2007), Awelye $72000 at Lawson~Menzies (2008). Legacy: National Gallery of Victoria, National Gallery of Australia, Art Gallery of South Australia, Queensland Art Gallery, Art Gallery of Western Australia, Art Gallery of NSW, Museum and Art Gallery Northern Territory, Kelton Foundation USA, Kreglinger Collection, Thomas Vroom Collection. Inquire About This Artist

	Billy Stockman Tjapaltjarri 1927-2015 Museum-Grade. Wild Potato (Yala) sold for $201,500 at Sotheby’s (1998), Travels of the Spider Ancestors 1991 sold for $36,000 at Lawson~Menzies (2008). Legacy: National Gallery of Australia, *National Gallery of Victoria, Art Gallery of NSW, Art Gallery of Western Australia, Museum and Art Gallery of the Northern Territory, Art Gallery of South Australia, National Art Gallery of New Zealand, Metropolitan Museum of Art New York, Lowe Art Museum University of Miami. Inquire About This Artist*

	Long Jack Phillipus circa 1932–2020 Museum-Grade. Untitled (Kalipinypa) sold for $231,800 at Bonhams (2020), Water Ceremony $98,182 at Smith & Singer (2020. Legacy: Musée du quai Branly Paris, National Gallery of Australia, National Gallery of Victoria, Metropolitan Museum of Art New York, Kelton Foundation California USA, Kluge-Ruhe Aboriginal Art Collection University of Virginia USA. Inquire About This Artist

Renting-Out Art | Passive Income

Most art-buyers view art as an investment for a permanent collection and wellbeing, while others choose renting-out artworks they own.

The Renting-Out model generates passive income, acts as a source of recurring revenue and exposure. You can lease out pieces to homes, offices, staging companies, or film sets for a recurring fee.

How Art Renting-Out Model Work

Pricing models: Rates often range from 5% to 10% of an artwork's retail value per month or year, or standard fixed monthly fees (e.g., $25 to $500+ per month depending on size and demand).
Leasing terms: Contracts typically run from short 3-day film shoots or 6-week property styling blocks to annual corporate rotations.
Organizations: Government and private initiatives like ArtBank manage large collections for leasing, handling logistics, transport, and insurance.

Key Benefits & Income Potential of Renting-Out

Rental Income: Lessees pay a periodic fee (weekly, monthly, annually) to display art they own. Artists or owners can earn steady secondary income, often averaging hundreds of dollars per piece depending on the market.
Exposure: Displaying pieces in public or corporate spaces acts as marketing, often leading to sales. It provides visibility for artists, which can lead sales or commissions.
Tax deductions: Commercial entities renting art for workplaces often write off lease payments as business decoration expenses.

Leasing Art & Rent-to-Own

Some businesses are renting artworks as a way to keep their costs down and to have the ability to create new and exciting displays. Businesses (like law firms, hotels, corporate offices) often lease art to upgrade their space without the large upfront purchase cost. Leasing art gives businesses affordable access to high-end original pieces while preserving cash flow and offering tax deductions.

Financial Benefits of Leasing Art

Lower upfront costs: Avoid large, immediate capital outlays required to buy original works.
Tax deductions: Rental payments often qualify as 100% tax-deductible operating expenses.
Preserved liquidity: Keep cash free for core business investments instead of tying it up in physical assets.
Rent-to-Own: Some contracts let the client rent the piece with the option to purchase it later, subtracting the previous rental fees from the final sale price. Many agreements let you purchase the artwork at a reduced residual value when the contract ends.

Workplace and Brand Benefits

Regular rotation: Refresh office aesthetics every 6 to 12 months to match new branding, seasons, or trends.
Improved environment: Boost employee morale, creativity, and well-being with inspiring visual spaces.
Client impression: Transform lobbies, boardrooms, and reception areas into high-end professional environments.
Support for creators: Partner with local art galleries or programs like ArtBank to support local artists and cultural economies.

Global Art Market | Historical Milestones

The record price paid for The Card Players by Paul Cézanne was $273 million in 2021.
In 1987 Vincent van Gogh painting Vase with Fifteen Sunflowers tripled the previous record only two years before, introducing a "new era" in top art investment prices.

Since that time, sales of valuable artworks have often been made at auctions but not always, the list below shows some "private sales" at international galleries.

Millions	*Title*	*Artist*	*Date*	*Seller*	*Buyer*	*Agent*
$273	The Card Players 1892	Paul Cézanne	2011	George Embiricos	Qatar state	Private sale
$164.7	No. 5, 1948 1948	Jackson Pollock	2006	David Geffen	David Martinez	Private sale Sotheby's
$161.8	Woman III 1953	Willem de Kooning	2006	David Geffen	Steven A. Cohen	Private sale via Larry Gagosian
$157.9	Le Rêve 1932	Pablo Picasso	2013	Steve Wynn	Steven A. Cohen	Private sale
$157.7	Portrait of Adele Bloch-Bauer I 1907	Gustav Klimt	2006	Maria Altmann	Ronald Lauder, Neue Galerie	Private sale Christie's
$151.4	Portrait of Dr. Gachet 1890	Vincent van Gogh	1990	Siegfried Kramarsky family	Ryoei Saito	Christie's, New York
$144.5	3 Studies of Lucian Freud 1969	Francis Bacon	2013		Elaine Wynn, ex-wife of Steve Wynn	Christie's, New York
$143.3	Bal du moulin de la Galette1876	Pierre-Auguste Renoir	1990	Betsey Whitney	Ryoei Saito	Sotheby's, New York
$130.6	Garçon à la pipe 1905	Pablo Picasso	2004	Greentree foundation (Whitney family)	Barilla Group?^[15]	Sotheby's, New York
$123.7	The Scream 1895	Edvard Munch	2012	Petter Olsen	Leon Black^[17]	Sotheby's, New York
$119.8	Untitled 1954	Jasper Johns	2010	Jean-Christophe Castelli	Steven A. Cohen	Private sale, estimated price
$115.7	Nude, Green Leaves and Bust 1932	Pablo Picasso	2010	Frances Lasker Brody estate		Christie's, New York
$112	Portrait of Joseph Roulin 1889	Vincent van Gogh	1989	Private collection, Zürich	Museum of Modern Art New York	Private sale via Thomas Ammann, Fine Art Zurich
$111.5	Dora Maar au Chat 1941	Pablo Picasso	2006	Gidwitz family	Boris Ivanishvili	Sotheby's, New York
$110.7	Irises 1889	Vincent van Gogh	1987	son of Joan Whitney Payson	Alan Bond	Sotheby's, New York
$109.5	Eight Elvises 1963	Andy Warhol	2008	Annibale Berlingieri		Private sale via Philippe Ségalot
$107.3	Anna's Light 1968	Barnett Newman	2013	DIC Corp.		Private sale
$107.2	Silver Car Crash (Double Disaster) 1963	Andy Warhol	2013			Sotheby's, New York
$103.5	Adele Bloch-Bauer II 1912	Gustav Klimt	2006	Maria Altmann		Christie's, New York
$103.4	Portrait de l'artiste sans barbe 1889	Vincent van Gogh	1998	Heirs of Jacques Koerfer (de)		Christie's, New York
$101.0	Massacre of the Innocents 1611	Peter Paul Rubens	J2002	an Austrian family	Kenneth Thomson	Sotheby's, London
$94.4	Triptych, 1976	Francis Bacon	2008	Moueix Family, Château Pétrus^[29]	Roman Abramovich	Sotheby's, New York
$94.0	False Start 1959	Jasper Johns	2006	David Geffen	Kenneth C. Griffin	Private sale via Richard Gray
$93.7	A Wheatfield with Cypresses 1889	Vincent van Gogh	1993	son of Emil Georg Bührle	Walter H. Annenberg	Private sale via Steven Mazoh
$92.9	Les Noces de Pierrette 1905	Pablo Picasso	1989	Fredrik Roos (sv)	Tomonori Tsurumaki	Binoche et Godeau Paris
$91.6	Pablo, Picasso 1901	Pablo Picasso	1989	Wendell Cherry (de)	Stavros Niarchos	Sotheby's, New York
$91.2	Turquoise Marilyn 1964	Andy Warhol	2007	Stefan Edlis	Steven A. Cohen	Private sale via Larry Gagosian
$90.0	Portrait of Alfonso d'Avalos, Marquis of Vasto, in Armor with a Page 1533	Titian	2003	AXA insurance company	Getty Museum	Private sale via Hervé Aaron
$89.6	Orange, Red, Yellow 1961	Mark Rothko	2012	Estate of David Pincus		Christie's, New York
$87.3	Le Bassin aux Nymphéas 1919	Claude Monet	2008	J. Irwin and Xenia S. Miller		Christie's, London
$86.3	Rideau, Cruchon et Compotier 1894	Paul Cézanne	1999	Whitney Family		Sotheby's, New York
$84.2	Black Fire I 1961	Barnett Newman	2014	Private Collection	Anonymous	Christie's, New York
$83.9	Vase with Fifteen Sunflowers 1888	Vincent van Gogh	1987	daughter-in-law of Chester Beatty	Yasuo Goto, Yasuda Comp.	Christie's, London
$83.0	White Center (Yellow, Pink and Lavender on Rose) 1950	Mark Rothko	2007	David Rockefeller, Sr.	Sheikh Hamad bin Khalifa Al-Thani	Sotheby's, New York
$81.8	Green Car Crash (Green Burning Car I) 1963	Andy Warhol	2007	Private collection, Zürich	Philip Niarchos	Christie's, New York
$80.8	Three Studies for a Portrait of John Edwards 1984	Francis Bacon	2014	Private Collection	Anonymous	Christie's, New York
$78.9	Diana and Actaeon 1556/9	Titian	2009	Duke of Sutherland	National Galleries of Scotland & National Gallery, London	Private sale
$78.9	Salvator Mundi 1490/1519	Leonardo Da Vinci	2013	Robert Simon	Anonymous	Private sale
$78.7	Darmstadt Madonna 1526	Hans Holbein	2011	Donatus, Hereditary Prince of Hesse	Reinhold Würth	Private sale via Christoph Graf Douglas
$78 million	The Gross Clinic 1875	Thomas Eakins	2007	Thomas Jefferson University	Philadelphia Museum of Art	Private sale
$77.0	No 1 (Royal Red and Blue)1954	Mark Rothko	2012	John and Anne Marion		Sotheby's, New York
$76.6	Au Lapin Agile 1904	Pablo Picasso	1989	daughter of Joan Whitney Payson	Walter H. Annenberg	Sotheby's, New York
$75.9	Acrobate et jeune arlequin 1905	Pablo Picasso	1988	heir of Roger Janssen	Mitsukoshi	Christie's, London
$74.9	Femme aux Bras Croisés 1902	Pablo Picasso	2000	McCormick family, Chicago		Christie's, New York
$74.7	Nude Sitting on a Divan ("La Belle Romaine") 1917	Amedeo Modigliani	2010	Halit Cıngıllıoglu		Sotheby's, New York
$74.6	Police Gazette 1955	Willem de Kooning	2006	David Geffen	Steven A. Cohen	Private sale via Richard Gray
$74.1 *million*	Diana and Callisto 1556–1559	Titian	2012	Duke of Sutherland	National Galleries of Scotland & National Gallery, London	Private sale
$70.2 *million*	Peasant Woman Against a Background of Wheat 1890	Vincent van Gogh	1997		Steve Wynn	Private sale via Acquavella Galleries Inc., New York
$69.7	Femme assise dans un jardin 1938	Pablo Picasso	1999	Robert Saidenberg		Sotheby's, New York
$68.7	Eagle Standing on Pine Tree 1946	Qi Baishi	2011	Liu Yiqian	Hunan TV & Broadcast Intermediary Co	China Guardian Auctions
$68.7	Men in Her Life 1962	Andy Warhol	2010	Jose Mugrabi		Phillips de Pury & Company
$67.4	Portrait of a Halberdier 1537	Pontormo	1989	Chauncey Devereaux Stillman	Getty Museum	Christie's, New York
$67.0	Suprematist Composition 1916	Kazimir Malevich	2008	Heirs of Kazimir Malevich		Sotheby's, New York
$66.2	Untitled 1952	Mark Rothko	2014	Private Collection	Anonymous	Christie's, New York
$65.3 *million*	Zhichuan Resettlement 1350	Wang Meng	2011			Beijing Poly Auction

Galeria Aniela: Investment-Grade Artworks of Flawless Provenance

An independent advisory and procurement service for significant original artworks by renowned Australian artists. Combining over 30 years of fine art expertise, we help you seamlessly navigate the art market, optimising your time and securing maximum value.

Borderless Procurement: We transitioned to a fully integrated international digital model, catering to an international clientele of global collectors while proudly supporting Australian artists.
Trusted Connections: By cultivating meaningful personal relationships, we build deep trust and genuine, long-term partnerships, delivering an exceptional and rewarding acquisition experience since 1994.

Acquire or Sell Investment-Grade Artworks

Utilizing our extensive industry network, we assist you in identifying the optimal, most profitable pathways, whether you are a first-time buyer or an astute investor, we guide you through every aspect of fine art transactions, providing trusted expertise.
If you wish to buy or sell works by Arthur Boyd, Brett Whiteley, Fred Williams, John Perceval or other significant artists—or if you require a professional valuation referral—please contact our specialist. We are prompt, professional, and friendly.

Phone: +61 409 980 618

Email: art@galeriaaniela.com.au

Three Decades of Fine Art Heritage and Global Acclaim

A Visionary Legacy: Founded in 1994 in Kangaroo Valley, Galeria Aniela Fine Art Gallery & Sculpture Park pioneered museum-quality exhibitions program, bringing world-class masterworks and blue-chip Australian artists to a pristine regional setting.

Institutional Recognition: The only commercial gallery in Australia listed in the National Gallery of Australia's Artonview exhibition guide alongside elite national institutions, state galleries and museums (1997-2004).

Fine Art Market Prestige: No other commercial gallery shares Galeria Aniela’s art prestige, highlighted by landmark modernist retrospectives officially launched by leaders of Australia’s peak art institutions:

Arthur Boyd Retrospective (1997): Opened by Cameron O’Reilly, Deputy Chairman of the National Gallery of Australia (Broadcasted on ABC TV National News).
John Perceval Retrospective (2000): Opened by Justin Miller, Chairman of Sotheby’s Australia.
Charles Blackman Retrospective (2002): Opened by Rodney Menzies, Executive Chairman of Menzies Art Brand (Broadcasted on SBS TV ArtScream).
A Century of Boyd art collection (2012): Opened by Bob Hawke, former Australian Prime Minister.

Distinguished Guests & Cultural Icons: Over the years, Galeria Aniela has had the unique privilege of welcoming esteemed guests, celebrities, and art patrons to our exhibitions. Featured below are historic visits from international icon Sir David Attenborough, Cameron O’Reilly, and former Australian Prime Minister Bob Hawke.

Sir David Attenborough and Aniela Kos in Galeria Aniela | Aniela Kos, Bob Hawke and Blanche D'Alpuget

⭐⭐⭐⭐⭐ What people say

Jamie Boyd and Aniela Kos with Cameron O’Reilly (1997) | Aniela Kos and Cameron Menzies (Nov. 2023)

Where Fine Art Lives and Dreams are Reborn

Works of art live for generations. They are constantly reborn in the minds of the beholders to bring new meanings, new dreams, and entirely new ways of seeing and experiencing the world.
At Galeria Aniela, we invite you to step into a magic world of amazing fine art. This is your ocean of tranquility—a curated space designed to conquer the heart, mind, and soul through powerful visual storytelling.

Our Vision: Celebrating Australian Culture

Our core mission is to increase global awareness of the profound cultural contribution made by Australian artists. From the sun-drenched outback and deep ancient bushlands to our rugged coastlines, the Australian landscape breeds a distinct creative spirit.
We proudly showcase a rich tapestry of stories, seamlessly bridging the world’s oldest continuous living culture, we feature a strong selection of contemporary Aboriginal art.
This narrative is uniquely shaped by our European-Australian artistic heritage. Iconic masters like Arthur Streeton and Fred Williams captured our light, while visionary artists such as Arthur Boyd and Brett Whiteley infused global modernism into the local consciousness.
With unwavering passion and dedication, we strive for high ideals to create a secure, thriving, and better future for the arts.

Art with Purpose: Make a Difference

When you purchase fine art from Galeria Aniela, you buy more than a beautiful object—you make a valuable contribution to a greater mission.
Your acquisition directly helps exceptional artists make a sustainable living from their creations. Together, we keep cultural pathways bright and make a lasting difference in the world of art.

Fine Art is one of the most enjoyable and viable investments, essential to wellbeing.

Art-As-Investment | Buy-Value-Sell | Resources

Galeria Aniela — International Fine Art Advisory & Procurement — Australia
Phone: +61 409 980 618 | Email: art@galeriaaniela.com.au

Fine Art as an Alternative Asset Class

Art Value Love & Passion Dividend

Art as an Asset Class & Financial Investments

The Math & Pricing

Art Market Trends Supply & Demand

Arthur Boyd AC OBE (1920-1999)

Brett Whiteley AO 1939–1992

Fred Williams AO (1927–1982)

Charles Blackman (1928–2018)