Arthur Boyd (1920-1999)
biography
Arthur Boyd
(1920- 1999)
"Mourning Bride I" sold for $833,000
and another
Bride
series painting "Dreaming Bridegroom I" fetched $957,000
and
"Bride Walking in a Creek I"
sold for $703,000
from
Wikipedia Encyclopedia
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Arthur Boyd
(1920- 1999)
continued for years
to paint
the
Bride
and
Nebuchadnezzar
series
(sometimes on fire).
REFERENCE:
Bride series is one of the most famous series of
this legendary Australian artist, Arthur Boyd.
Bride & the Serpent influenced
by Boyd's high regard for Chagall &
Australian indigenous culture.
Arthur
Boyd's hauntingly beautiful paintings of the
Bride
series
of the late 1950s are numbered among his finest, firm of
figure and powerful of imagery. Love, Marriage and Death of
a Half-Caste, as the series was called collectively, touches
on the epic and the heroic, an Antipodean tragedy of the
proportions of Romeo and Juliet. Today, the presence of key
works in major public and private collections and in the
collection of
National Gallery of Victoria,
National Gallery of Australia
and
Art Gallery of South Australia
confirms their stature in Australian art.
Bride
paintings
at a Waterfall the
plunging figure in white becomes the waterfall at which she
drinks the fiery consuming passion of her lover
emerging from the primal forest, figured partly in elements
of face and hand reaching to touch the downward rush.
Figures emerge and submerge in the bush-land of a highly
idiosyncratic work, of multiple meaning and quenching
thirst, redolent with the energy of drama, curtsey of the
Sotheby's catalogue, 23 April 2007.
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|
Returning to the
'Bride' subject during his first years in London, Boyd's
technique became more painterly and figures integrated with
their bush land settings. They metamorphosed into
dragonflies or windmills as themes of thwarted love, of
Eros; and references to classical mythology emerged in the
highly personalised, often erotic, symbolism, influenced by
Renaissance masters and the vigour of contemporary
expressionism. His paint took on a greater thickness through
the developed skill of his handling.
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Arthur Boyd
(1920- 1999)
Title:
Nude Unveiled
Medium:
oil and collage, signed lower
right
Image size:
55.5 x 65.5cm
Framed size: 95 x 103cm
view prices |
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In pristine condition housed in gilded timber frame |
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"Nude Unveiled"
represents the human endurance and
the rebirth of the human soul,
it is a
top-quality original oil painting. Arthur Boyd
believed in love,
happiness, spirits and angels which transformed his
work, in his world the true love always prevailed.
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Arthur Boyd
(1920- 1999)
Title:
The Shoalhaven River
Medium:
oil board
Image size:
30.5 x 20.5cm
Framed size: 65 x 56cm
view prices
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gilded timber frame |
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click on the image
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Arthur Boyd
(1920- 1999)
Title:
Bride
and Serpent
Medium:
Oil on canvas
Image size:
122 x 102cm
Framed size: 140 x 120cm |
Arthur Boyd
prestigious
Bride
series sold "Mourning Bride I" $833,000; "Dreaming
Bridegroom I" $957,000;
"Bride Walking in a Creek I"
$703,000.
from
Wikipedia Encyclopedia
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Exhibited:
1997
Best of
Boyd
Galeria
Aniela Kangaroo Valley officially open by the Deputy
Chairman National
Gallery of Australia,
Cameron
O'Reilly.
The exhibition was widely canvas by the media including the
front
page of Sydney Morning Herald
May, 17 1997;
ABC TV
National News May
18, 1997;
O'Reilly
- Business - Sydney Morning Herald
August 12, 2003; 2005 The Art Lounge Gallery, Sydney, opened by
Director the
Art Gallery of New
South Wales,
Edmund Capon |
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Arthur Boyd
(1920-1999)
Nebuchadnezzar
on Fire, fallen in a field circa
1968
Medium:
oil on canvas
original 1968
20.5 x 25.5cm
view prices |
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Include: a leather bound limited
edition book no. 5, published
in 1970
by Thames and Hudson with30 colour paintings the whole
Nebuchadnezzar
series, signed by Arthur Boyd in the individually hand made box.
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Nebuchadnezzar
(listen)
(c 630-562 B.C.E), was a ruler of
Babylon
in the
Chaldean Dynasty,
who reigned c.
605 BC-562
BC.
Nebuchadnezzar
is famous for his monumental
building within his capital of Babylon, his role in the
Book of
Daniel,
and his construction of the
Hanging
Gardens of Babylon
and known among
Christians and Jews for his conquests of
Judah
and
Jerusalem.
He was traditionally called
"Nebuchadrezzar the Great", but his destruction of
temples in Jerusalem and the conquest of Judah caused
his vilification in the Bible, (Daniel 1:1; Prophecied
Jeremiah 25:11). In contemporary Iraq and some other
parts of the Middle East, Nebuchadnezzar is glorified as
a historic leader. |
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Arthur Boyd
(1920- 1999)
book
1970,
The limited edition book 5/30
signed
25 x 30cms x 9.5 cm |
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The
limited edition 5/30 book published by Thames and Hudson
with the
Nebuchadnezzar
colour paintings. |
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Arthur Boyd
(1920- 1999)
FRONT cover
white leather, limited edition book
5/30 signed
25x30x9cm |
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Limited edition 3/30
white
leather bound book published by Thames and Hudson with colour
Nebuchadnezzar
paintings. |
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click on the image

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click on the image

click on the image |
Best of
Boyd
triumphed the front page of the
Sydney Morning Herald 17 May 1997.
For the first
time, the talent of six members of the Boyd's family is shown at
one time in the idyllic setting of
Galeria Aniela
Fine Art Gallery and Sculpture Park
in breathtaking Kangaroo Valley south of Sydney.
The Best of Boyd family
exhibition included
Arthur Boyd,
brothers
David Boyd
and Guy, Guy's daughter
Lenore Boyd, Arthur's son Jamie Boyd and niece
Tessa Perceval
(B.1947) John Perceval & Mary Boyd daughter (Arthur Boyd niece).
The exhibition
opened by Cameron O'Reilly Deputy Chairman
National Gallery
of Victoria
of 80 paintings and 40 bronze sculpture was widely canvas by the
media including;
the Australian
National News ABC TV,
17 May 1997,
ABC TV Sunday
Afternoon - BOYD,
26 June 1997; Australian National ABC TV Snap-Shot etc.
Galeria Aniela,
located 2 hours South of Sydney with breathtaking views is an
attraction in itself, a stunning two storey architect designed
art gallery, crafted from cool mud bricks and warm timbers set
on three hectares of
Sculpture Park. |
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Arthur Boyd
(1920-1999)
Red Rock Magic Flute series
Oil on canvas
147 x 154cm
SOLD |
Exhibited:
1990 Opera House Sydney Australia
1990 Wagner Galleries, Opera House Sydney
1991 Regional Gallery of NSW, 1992 New York,
1991 Wagner Gallery, New York USA,
1992 Wagner Gallery, London, England
1997 Galeria Aniela, NSW, the
ABC
National TV
the Best of Boyd
2005 The Art Lounge
Gallery, Sydney, Australia
NOTES:
The painting
represents eternal love, human endurance and
rebirth of a soul. Red Rock remained for Arthur Boyd the
most spiritual place;
symbolizing life,
happiness and reincarnation. In the middle of the
painting are two pale figures which signify Angels of
Love and the new beginning. A
superb work of art,
painted 1990, exhibited around the world,
belongs to the
Magic Flute
series. Boyd designed the series to be the milieu at the
first ‘Magic Flute’ Mozart opera performance in Sydney
Opera House. The opera story say that Price
Tamino
fell in love in the Green Queen of the Night daughter,
the Queen attempts to kill Price
Tamino
but the true love prevails as the Red Rock NT Australia
remains the most spiritual place for over 60,000 years.
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Arthur Boyd
(1920-1999)
Shoalhaven
River 1984-5
Oil on copper
38 x 30 cm
SOLD |
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Arthur Boyd
(1920-1999)
Shoalhaven River
1980-85
Oil on canvas
30 x 22.5
SOLD |
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Arthur Boyd
(1920-1999)
Shoalhaven River
Bundanon series 1984
Oil on canvas
30.5 x 21.5
SOLD |
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Arthur Boyd
(1920-1999)
bather
by the Waterfall
and the Elder
Oil on canvas
SOLD |
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Arthur Boyd
(1920-1999)
ALLEGORY AND
MYTH,
Magic Flute II
- Magic Flute Series
Oil on canvas
180 x 180cm
SOLD
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Arthur Boyd
(1920-1999)
THE GREEN
QUEEN OF THE NIGHT - the Magic Flute series
Oil on canvas
200 x 250 cm
SOLD |
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Arthur Boyd
(1920-1999)
THREE
LADIES - the Magic Flute series
Oil on canvas
200 x 250 cm
SOLD |
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Arthur Boyd
(1920-1999)
BLACK POOL and
THE Queen of the Night - the Magic Flute series
Oil on canvas
250 x 200 cm
SOLD |
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Arthur Boyd
(1920-1999)
PULPIT
ROCK
120x 102cm
Oil on canvas
SOLD |
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Arthur Boyd
(1920-1999)
A Girl
with a camp fire & a SERPENT in Shoalhaven
Bush
Oil on canvas
122 x 82 cm
SOLD |
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Arthur Boyd
(1920-1999)
Shoalhaven
River c.1984
Oil on canvas
30.5 x 21.5
SOLD |
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Arthur Boyd
"Dreaming Bridegroom"
sold for $957,000
(May 2000). Another
painting of the Bride series,
Mourning Bride I (1958) has sold for
$833,000.
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Arthur Merric
Bloomfield Boyd
AC
OBE
(Born
July 20,
1920
–
April 24,
1999)
was a member of the prominent
Boyd artistic dynasty
in Australia, with many relatives being
painters,
sculptors,
architects
or other arts professionals. His sister
Mary Boyd
married
John Perceval,
and then
Sidney Nolan.
His wife
Yvonne Boyd
née Lennie and daughter Polly are also painters.
He was born at
Murrumbeena, Victoria.
Boyd had no formal training in painting and
drawing however he studied with his grandfather
Arthur Merric Boyd,
the New Zealand born landscape painter. He is
represented in all Australian state galleries.
Boyd is best known for his experimental and
sometimes complex painting of figures and
impressionist, pastoral landscapes. His early
paintings were portraits and of
Port Phillip Bay
created while he was an adolescent, living in
the suburbs of Melbourne. He moved to the inner
city where he was influenced by his contact with
European refugees. Reflecting this move in the
late 1930s, his work moved into a distinct
period of depictions of fanciful characters in
urban settings. He produced several series of
works, including a collection of 15
biblical
paintings based on the teaching of his mother,
Doris Boyd
née Gough. Later he produced a
tempera
series about large areas of
sky
and
land,
called the Wimmera series. In the 1940s he was a
member of the
Angry Penguins
artistic and literary group. His best-known work
is perhaps his Half caste bride series in the
1950s, which he did based on his experiences of
having direct contact with Aborigines in
Alice Springs
in 1951. He represented Australia with
Arthur Streeton
at the
Venice Biennale
in 1958. He joined the
Antipodeans Group
in the Whitechapel gallery. Avoiding the social
issues raised in works such as Half Cast Child
and feeling drawn to European styles of
painting, Boyd moved permanently to
Hampstead, London
in 1960. The same year he held his first London
exhibition. While here, Boyd entered another
distinct period with his works themed around the
idea of
metamorphasis.
He started another well known series of works,
Nebuchadnezzar is 1966. This series was a
statement of the
human condition
and is often considered to be his most
beautiful. He returned to Australia in 1971, as
one of Australia's most highly regarded artists.
In 1978 he bought properties and settled
permanently at
Bundanon
on the
Shoalhaven River,
which he donated to the people of Australia in
1993. His creations now focused on the primevial
natural settings found in the
Australian bush
and in later years explored the interplay
between human
land use
and natural
wilderness.
Boyd was enthralled by his position near the
river and by the scale and moods of the valley
landscape. In 1975 he presented several thousand
works to the
National Gallery of
Australia.
In 1979, he was honoured with the
Order of Australia.
He represented Australia at the Venice Biennale
again in May 2000, and is painting Dreaming
Bridegroom I (1957) sold for $957,000.
Another painting of the Bride series,
Mourning Bride I (1958) has sold for
$833,000. -
From Wikipedia, the free encyclopedia.
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Arthur Boyd "Dreaming Bridegroom I" sold for
$957,000
when "Mourning Bride I (1958)" got $833,000 (another one
of the Bride series) in May 2000. "
Bride Walking in a Creek I"
sold for $703,000.
So
brides and dispossession, as well as a whiff of eroticism,
were well to the fore in Boyd's first one-man exhibition in
swinging 1960s London at Zwemmer Gallery, where
this ‘Bride
Walking in a Creek I’ sold for A$703,000
Boyd's bride.
from
Wikipedia Encyclopedia.
|
REFERENCE:
"Bride" series is one of the most famous series of
this legendary Australian artist, Arthur Boyd.
Bride and the Serpent
is influenced
by Boyd's high regard for Chagall art as well as inspired by
Australian indigenous culture.
Arthur
Boyd's hauntingly beautiful paintings of the 'Bride' series
of the late 1950s are numbered among his finest, firm of
figure and powerful of imagery. Love, Marriage and Death of
a Half-Caste, as the series was called collectively, touches
on the epic and the heroic, an Antipodean tragedy of the
proportions of Romeo and Juliet. Today, the presence of key
works in major public and private collections and in the
collection of
National Gallery of Victoria,
National Gallery of Australia
and
Art Gallery of South Australia
confirms their stature in Australian art.
Returning to the
'Bride' subject during his first years in London, Boyd's
technique became more painterly and figures integrated with
their bush land settings. They metamorphosed into
dragonflies or windmills as themes of thwarted love, of
Eros; and references to classical mythology emerged in the
highly personalised, often erotic, symbolism, influenced by
Renaissance masters and the vigour of contemporary
expressionism. His paint took on a greater thickness through
the developed skill of his handling.
The bride,
Nebuchadnezzar (sometimes on fire), and other themes
continued into later years. In Bride at a Waterfall the
plunging figure in white becomes the waterfall at which she
drinks below, the firey consuming passion of her lover
emerging from the primal forest, figured partly in elements
of face and hand reaching to touch the downward rush.
Figures emerge and submerge in the bush-land of a highly
idiosyncratic work, of multiple meaning and quenching
thirst, redolent with the energy of drama, curtsey of the
Sotheby's catalogue, 23 April 2007.
Bride Walking in a Creek I
sold for $703,000 -
"So
brides and dispossession, as well as a whiff of eroticism,
were well to the fore in Boyd's first one-man exhibition in
swinging 1960s London at Zwemmer Gallery, where
this ‘Bride
Walking in a Creek I’ sold for A$703,000
Boyd's bride.
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Nebuchadnezzar
(listen)
(c 630-562 B.C.E), was a ruler of
Babylon
in the
Chaldean Dynasty,
who reigned c.
605 BC-562
BC.
Nebuchadnezzar
is famous for his monumental
building within his capital of Babylon, his role in the
Book of
Daniel,
and his construction of the
Hanging
Gardens of Babylon
and known among
Christians and Jews for his conquests of
Judah and
Jerusalem.
He was traditionally called
"Nebuchadrezzar the Great", but his destruction of
temples in Jerusalem and the conquest of Judah caused
his vilification in the Bible, (Daniel 1:1; Prophecied
Jeremiah 25:11). In contemporary Iraq and some other
parts of the Middle East, Nebuchadnezzar is glorified as
a historic leader.
|
Nebuchadnezzar was the oldest
son and successor of
Nabopolassar, who delivered Babylon from its
dependence on
Assyria and laid
Nineveh in ruins. According to
Berossus, he married
Amytis of Media, the daughter or granddaughter
of
Cyaxares, king of the Medes, and thus the
Median and Babylonian dynasties were united.
Necho II,
the king of
Egypt, had gained a victory over the Assyrians
at
Carchemish. This secured Egypt the possession of
Phoenician provinces of the Neo-Assyrian Empire,
including parts of Syria. The remaining Assyrian provinces were divided between
Babylonia and Media.
Nabopolassar was intent on reconquering from
Necho the western provinces of Syria, however, and to this end dispatched his
son with a powerful army westward. In the ensuing
Battle of Carchemish in 605 BC, the Egyptian
army was defeated and driven back, and Syria and Phoenicia were brought under
the sway of Babylon. Nabopolassar died on
August 15,
605 BC and Nebuchadrezzar quickly returned to
Babylon to ascend to the throne. After the defeat of the
Cimmerians and
Scythians, all of Nebuchadrezzar's expeditions
were directed westwards, although a powerful neighbour lay to the North; the
cause of this was that a wise political marriage with
Amuhia, the daughter of the
Median king, had ensured a lasting peace between
the two empires.
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Nebuchadrezzar faces off against
Zedekiah, the last king of
Judah, who holds a plan of
Jerusalem, in this
Baroque-era depiction in
Zwiefalten Abbey in
Germany. Nebuchadrezzar
engaged in several military campaigns designed to increase
Babylonian influence in Syria and Judah. An attempted
invasion of Egypt in 601 BC was met with setbacks, however,
leading to numerous rebellions among the states of the
Levant, including Judah. Nebuchadrezzar soon dealt with
these rebellions, capturing
Jerusalem in 607 BC deposing
King
Jehoiakim, destroying both
the city and the Temple and deporting many of the prominent
citizens along with a sizable portion of the Jewish
population of Judah to Babylon. These events are described
in
Ketuvim, a section of
Tanakh, the
Hebrew Bible and known to
non-Jews as the
Old Testament. After the
destruction of Jerusalem, Nebuchadrezzar engaged in a
thirteen year long siege of
Tyre (585-572
BC), which ended in a compromise, with the
Tyrians accepting Babylonian authority. It would appear that
following the pacification of Tyre, Nebuchadrezzar turned
again to Egypt. A
clay tablet, now in the
British Museum, bears the
following inscription referring to his wars: "In the 37th
year of Nebuchadrezzar, king of the country of Babylon, he
went to
Mitzraim (Egypt) to make
war.
Amasis, king of Egypt,
collected [his army], and marched and spread abroad.".
Having completed the subjugation of Phoenicia, and inflicted
chastisement on Egypt, Nebuchadrezzar now set himself to
rebuild and adorn the city of Babylon, and constructed
canals, aqueducts, temples and reservoirs. Babylonian
tradition has it that towards the end of his life,
Nebuchadrezzar, inspired from on high, prophesied the
impending ruin to the Chaldean Empire (Berosus
and
Abydenus in
Eusebius, Praep. Evang.,
9.41). Nebuchadrezzar died in Babylon between the second and
sixth months of the forty-third year of his reign.
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Nebuchadrezzar seems to have prided himself on his
constructions more than on his victories. During the last
century of
Niniveh's existence, Babylon
had been greatly devastated, not only at the hands of
Sennacherib and
Assurbanipal, but also as a
result of her ever renewed rebellions. Nebuchadrezzar,
continuing his father's work of reconstruction, aimed at
making his capital one of the world's wonders. Old temples
were restored; new edifices of incredible magnificence were
erected to the many gods of the Babylonian pantheon (Diodorus
of Sicily, 2.95;
Herodotus, 1.183) to
complete the royal palace begun by Nabopolassar, nothing was
spared, neither "cedar-wood, nor bronze, gold, silver, rare
and precious stones"; an underground passage and a stone
bridge connected the two parts of the city separated by the
Euphrates; the city itself was rendered impregnable by the
construction of a triple line of walls. The bridge across
the Euphrates is of particular interest, in that it was
supported on asphalt covered brick piers that were
streamlined to reduce the upstream resistance to flow, and
the downstream turbulence that would otherwise undermine the
foundations. Nor was Nebuchadrezzar's activity confined to
the capital; he is credited with the restoration of the Lake
of
Sippar, the opening of a
port on the Persian Gulf, and the building of the famous
Mede wall between the Tigris and the Euphrates to protect
the country against incursions from the North. In fact,
there is scarcely a place around Babylon where his name does
not appear and where traces of his activity are not found.
These gigantic undertakings required an innumerable host of
workmen; from the inscription of the great temple of
Marduk, we may infer that
most probably captives brought from various parts of Western
Asia made up a large part of the labouring force used in all
his public works. Nebuchadrezzar made the hanging gardens
for his wife
Amyitis (or Amytis) to
remind her of her homeland, Medis (or Media).[1]
She was the daughter (or granddaughter) of King
Cyaxares the Mede.There
was a
Portrayal in the Books of Daniel and Jeremiah
Nebukadnezar, by
William Blake,
Nebuchadrezzar is most
widely known through his portrayal in the Bible, especially
the
Book of Daniel
(where he appears as "Nebuchadnezzar"). This book
discusses several events of his reign, in addition to his
conquest of Jerusalem. In the second year of his reign
(evidently counting from his conquest of the Jews),
Nebuchadrezzar dreams of a
huge image
made of various materials (gold, silver, bronze, iron, etc).
The prophet
Daniel
tells him God's interpretation, that it stands for the rise
and fall of world powers. (Daniel Chapter 2). During
another incident, Nebuchadrezzar erects a large idol for
worship during a public ceremony on the plain of Dura. When
three Jews, Hananiah, Mishael, and Azariah (respectively
renamed Shadrach, Meshach, and Abednego by their captors, to
facilitate their assimilation into Babylonian culture),
refuse to take part, he has them cast into a
fiery furnace.
They are protected by an angel [Daniel 3:25, KJV], and
emerge unscathed without even the smell of smoke. (Daniel
Chapter 3). Another dream, this time of an immense tree, is
interpreted by Daniel the prophet. (Daniel Chapter 4)
Chapter 4 is also written by Nebuchadrezzar (Nebuchadnezzar
the king, unto all people, nations, and languages, that
dwell in all the earth; Peace be multiplied unto you. I
thought it good to shew the signs and wonders that the high
God hath wrought toward me.) DAN4:1-2. While boasting over
his achievements, Nebuchadrezzar is humbled by
God.
The king loses his sanity and lives in the wild like an
animal for seven years (by some considered as an attack of
the madness called
clinical boanthropy
or alternately
porphyria).
After this, his sanity and position are restored. A clay
tablet in the British Museum (BM34113) describes
Nebuchadnezzar's behaviour during his insanity: "His life
appeared of no value to him... then he gives an entirely
different order... he does not show love to son or
daughter... family and clan does not exist
[2].
There is also a notable absence of any record of acts or
decrees by the king during 582 to 575 BC.[3]
Some scholars believe that the Book of Daniel was written
long after the events described, during the 2nd century BC,
and thus are skeptical of the details of Nebuchadrezzar's
portrayal by Daniel. Some scholars think that
Nebuchadrezzar's portrayal by Daniel is a mixture of
traditions about Nebuchadrezzar — he was indeed the one who
conquered Jerusalem — and about
Nabonidus
(Nabuna'id), the last king of Babylon. For example,
Nabonidus was the real father of
Belshazzar,
and the seven years of insanity could be related to
Nabonidus' sojourn in
Tayma
in the desert. Evidence for this view was actually found on
some fragments from the
Dead Sea Scrolls
that reference Nabonidus (N-b-n-y) being smitten by God with
a fever for seven years of his reign while his son
Belshazzar
was regent. The
Book of Jeremiah
contains a prophecy about the arising of a "destroyer of
nations", commonly regarded as a reference to Nebuchadnezzar
(Jer. 4:7), as well as an account of Nebuchadnezzar's
siege of Jerusalem and looting and destruction of the temple
(Jer. 52).
Successors:
After his
death
in October, 562 BC, having reigned 43 years, he was
succeeded by his son
Amel-Marduk,
who, after a reign of two years, was succeeded by
Neriglissar
(559-555),
who was succeeded by
Nabonidus
(555-538),
at the close of whose reign (less than a quarter of a
century after the death of Nebuchadrezzar) Babylon fell
under
Cyrus the Great
as the head of the combined armies of Media and
Persia.
Named after Nebuchadrezzar
Notes
-
^
Foster, Karen Polinger (1998). "Gardens
of Eden: Flora and Fauna in the Ancient Near East".
Transformations of Middle Eastern Natural
Environments: Legacies and Lessons: 320-329,
New Haven:
Yale University.
Retrieved on
2007-08-11.
-
^
Kendall K. Down, Daniel: Hostage in Babylon, p.30
-
^
Gleason Archer, Vol 7 Expositor's Bible Commentary.
References:
External links:
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Arthur
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Important Australian artists Arthur Boyd
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