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Galeria
Aniela
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Local Fine Art HOME |
Galeria Aniela specializes in selling
Fine ART of impeccable
provenance
and
quality
friendly Quality service
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David BOYD
(1924-2011) |
If you love Fine
Art of
impeccable
provenance,
the
art
you want
is at
Galeria Aniela
|
David BOYD
OAM
(1924-2011)
is the most loved Australian artist.
Boyd
work is represented in
National Gallery of Australia,
all Australian State and regional galleries, the Mertz collection USA,
Powerhouse Museum
many major collections in Australia and
around the world.
Commonwealth
Institute of Art in London
in 1969 held his
major Retrospective.
BOYD
powerful series of paintings include
Music & Angels (1),
& (2),
Tasmanian Aborigines,
The Wanderer,
Legend of
Europa and Cockatoos,
The Exiles,
Children
and The
Trial.
David Boyd
paintings are highly valued
King Found
sold for
$215,100,
The
Church and State sold
for $118,450,
The Blessing
sold for $114,000. |
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Europa and Golden Wombat
Legend
of Europa and Cockatoos
Oil on
Canvas on Board
Image Size: 45 x 60 cm
Signed lower left
'David Boyd'
Date Lower right 2002
Price:
Enquire
Enlarge
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Europa
Golden
Waterfall
Legend
of Europa and Cockatoos
Oil on Canvas
Signed lower left
'David Boyd'
Image size:
65
x 55 cm
Framed size:
90
x 80 cm
Price:
Enquire
Enlarge |
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Ships
Returning, Waiting on the Shore
1970
Oil
on Canvas
Signed lower left
'David Boyd'
Image size: 50 x 60 cm
Signed lower left
David Boyd
Price: Enquire
Enlarge
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Children playing
Oil on Board
Signed lower right
'David Boyd'
Image size: 60
x 45 cm
Framed size:
85
x 70 cm
Related Work
Children Playing
Price:
Enquire
Enlarge
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Auction Results
David BOYD 1924-2011
Details |
Price excl. GST |
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King
Found
Oil and varnish on masonite, signed David Boyd
lower left, 1958, 122 x 137 cm, Mossgreen Auctions, The Ivan
Holland Collection, Melbourne, 03/06/2008, Lot No. 651 |
$215,100 |
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The Church and State
Oil on canvas on board, 110 x 90 cm ,
1965, Archers Auctioneers & Valuers, Antiques & Collectables
(Art lots only), Katoomba, 22/02/2004, Lot No. 50
|
$118,450 |
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The Blessing
Oil on canvas, signed and dated lower right: David Boyd 1966
inscribed verso: The Blessing / David Boyd (indistinct), 127
x 119 cm, Est: $30,000-50,000, Deutscher and Hackett, 100
Important Australian Paintings, Melbourne, 16/04/2008, Lot
No. 143 |
$114,000 |
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Anzac
Oil on canvas, signed and dated lower left: David Boyd / 68,
153 x 122 cm, Est: $40,000-60,000, Deutscher and Hackett,
Australian & International Fine Art, Melbourne, 09/05/2007,
Lot No. 68 |
$96,000 |
|
A Pear Tree in Springtime
Oil on canvas, signed lower left, 150 x 120 cm, Est:
$80,000-90,000, Elder Fine Art, Australian & International
Paintings, Adelaide, 15/08/2010, Lot No. 70 |
$91,540 |
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Wills Alone
Oil on composition board, signed and dated 'David
Boyd. 1958' lower left; dated and inscribed 'Wills / Alone /
Melbourne / 1958' verso, 122 x 152 cm, Est: $70,000-90,000,
Smith & Singer, Important Australian Art, Sydney, 17/04/2024,
Lot No. 64 |
$85,909 |
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Truganini - the Drowning of Her Betrothed
Oil on composition board, signed lower left David
Boyd, 120 x 173 cm, 1959, Est: $70,000-90,000, Deutscher and
Hackett, Important Australian + International Fine Art, Sydney,
10/04/2019, Lot No. 28 |
$82,960 |
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Sunday Picnic
Oil on canvas, signed 'David Boyd' lower left,
inscribed 'To My Dear old friend / with love / David Boyd / 28
Jan 1980' on verso, 115.8 x 89.2 cm, Est: $30,000-40,000,
Sotheby's, Important Australian Art, Sydney, 31/08/2010, Lot No.
53 |
$80,400 |
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Springtime in the Orchard of Heaven
Oil on canvas, signed lower left, 120 x 150 cm,
Est: $38,000-58,000, GFL Fine Art, Spring 2021 Fine Art Auction,
Perth, 23/11/2021, Lot No. 51 |
$77,050 |
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A Pear Tree in Springtime
Oil on canvas, signed lower left, 151 x 120 cm,
Est: $70,000-80,000, Elder Fine Art, Australian & International
Paintings, Adelaide, 15/05/2016, Lot No. |
$74,750 |
|
The Spearing of Gilbert II
Oil on board, signed lower right David Boyd, 92 x
122 cm, 1957-58, Est: $50,000-70,000, Menzies, Important
Australian and International Fine Art and Sculpture, Melbourne,
24/09/2015, Lot No. 28 |
$73,636 |
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Explorer Thrown
Oil on composition board, signed and dated 1957
lower right; bears title on the reverse, 90 x 122 cm, Est:
$30,000-40,000, Sotheby's, Fine Australian Art Auction,
Melbourne, 04/05/2004, Lot No. 16 |
$71,000 |
|
The Last Tree 1958
Oil on composition board, signed and dated lower
left: David Boyd 1958, 58.5 x 91.5 cm, Est: $50,000-70,000,
Deutscher~Menzies, Major Fine Art Auction, Melbourne,
13/09/2006, Lot No. 19 |
$66,000 |
|
The Reflection 1970
Oil on canvas, signed and dated lower right:
David Boyd 1970, signed, dated and inscribed verso: From the
wandering childhood/ 'The Reflection'/ David Boyd/ France 1970,
86 x 121.5 cm, Est: $30,000-40,000, Lawson~Menzies (now trading
as Menzies), Colonial to Contemporary Art, Sydney, 06/12/2007,
Lot No. 266 |
$66,000 |
|
Ambush 1968
Oil on canvas, signed and dated lower right:
David Boyd 1968, 118 x 157.5 cm, Est: $30,000-40,000,
Deutscher~Menzies, Fine Australian & International Art, Sydney,
13/03/2007, Lot No. 63 |
$63,000 |
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Springtime in the Orchard of Heaven
Oil on canvas, signed lower left, 120 x 150 cm,
Est: $60,000-80,000, Elder Fine Art, Australian & International
Paintings, Adelaide, 26/11/2017, Lot No. 33 |
$62,640 |
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The Offering
Oil on canvas, signed and dated 'David Boyd 1972'
lower left, 122 x 152 cm, Est: $40,000-60,000, Smith & Singer,
Important Australian Art, Sydney, 17/04/2024, Lot No. 65 |
$61,364 |
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1971
The Goddess of Fruit and the Spying Angel
Oil on canvas, signed and dated 'David Boyd 1971' lower
left, signed, dated and inscribed 'David Boyd / 1971 / 'The
Goddess of Fruit and the Spying Angel' verso, 152 x 121.5
cm, Est: $50,000-60,000, Sotheby's, Important Australian
Art, Sydney, 31/08/2016, Lot No.
|
$61,000 |
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Children Playing
Oil on canvas, signed lower left David Boyd, 71 x 61 cm, Est:
$18,000-24,000
Deutscher and Hackett, Australian & International Fine Art,
Melbourne, 09/05/2007, Lot No. 129 |
$60,000 |
For
more auction results
prices and information visit
http://www.aasd.com.au/
|
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Europa with Big Cockatoos
Oil on Board
96 cm x 96 cm
Price:
SOLD |
under Wattle Tree
Oil on Board
50 cm x 40 cm
Price:
SOLD |
Children Apple Tree
Oil on Board
18 x 18 cm
Price:
SOLD |
Children Orchard
Oil on Board
80 cm x 65 cm
Price:
SOLD |
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Children
and
Blue Roses
Oil on Canvas
45 x 60 cm
Price:
SOLD |
Chello player
VIDEO
1
&
VIDEO 2
Price:
SOLD |
Bathers by Lagoon
1976
Oil on Canvas
35 cm x 45 cm
Price:
SOLD |
Music and Angels
VIDEO
1
&
VIDEO 2
Price:
SOLD |
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Summertime Greetings
Oil on Canvas
45 x 60 cm
Price:
SOLD |
Music and Angels
VIDEO
1
&
VIDEO 2
Price:
SOLD |
Europa with Blue Roses
Oil on Canvas
45 x 60 cm
Price:
SOLD |
Music and Angels
VIDEO
1
&
WATCH-VIDEO
Price:
SOLD |
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Children
Enchanted Water
Oil on Canvas on Board
18 cm x 19 cm
Price:
SOLD |
Music and Angels
VIDEO
1
&
VIDEO 2
Price:
SOLD |
Children Watching Sails
Oil on Board
30 cm x 40 cm
Price:
SOLD |
Music and Angels -
Reading Music
VIDEO1
VIDEO2
Price:
SOLD |
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The Legend of
Europa and the Cockatoos
David Boyd painted mostly on Board however when BOYD was
starting a new series of paintings he painted
oil on canvas, and
these paintings were
rarely sold.
David Boyd kept his canvas paintings as the reference to
continue the series such as the
Legend of Europa
and the Cockatoos .
Between 1995 and 2005 David BOYD painted “The Legend of Europa and the
Cockatoos” series paintings. The “Legend of Europa and the Cockatoos”
series become the most celebrated, sought after and much-loved series
paintings and the artist most favourite series.
Unlike the various Trial series of paintings which used the visual
language to express ideas about a fundamental and disturbing feature of
the human condition, the 1995-2005 Legend of Europa and the Cockatoos
series is presented as an entertaining parable.
The story about the
Legend of Europa and the Cockatoos
written
by David Boyd in
1995
The Legend of Europa and the Cockatoos' dedicated
to my brother,
Arthur BOYD
1920-1999 in appreciation of his generosity to the Australian people and
his affection for cockatoos.
Late in 1994, I was working on series called Music and the Angels.
Because of the wings and the expression on the faces of the angel
musicians, the pastels evoked the spirit of the Baroque rather than the
exhilarating frenzy of 20th century rock music.
Suddenly in December, following the opening of the new second north
south runway and the closure of the main east west at Sydney Airport,
the roar of jet aircraft ascending north in increasing frequency above
my studio or the whining scream as they approached to land, completely
drown the music of the angels. Putting aside their instruments they
gazed sadly upwards or out of the picture.
Suddenly in December, following the opening of the new second north
south runway and the closure of the main east west at Sydney Airport,
the roar of jet aircraft ascending north in increasing frequency above
my studio or the whining scream as they approached to land, completely
drown the music of the angels.
Putting aside their instruments they gazed sadly upwards or out of the
picture. I have kept the angel that first appeared thus. It is called
"Angel Listening to the Roar of Jets Over Sydney Australia".
What the above has got to do with a winged figure chasing cockatoos?
An idea can have its genesis in unexpected ways.
Since boyhood I had not given a great deal of thought to airplanes, but
now with huge jet machines constantly roaring overhead it become
impossible to ignore this wonder of modern technology.
Remote from Jumbo jets but enough to set the imagination on fire, using
the drawings as reference I painted a winged figure running to gain
speed, as a pelican does before rising.
To draw or paint pictures of the things would keep their menacing shape
in the forefront of the mind. It happened that waiting amongst a stack
of pencil drawings from the 1960's was a sketch of a winged figure
running through the bush land. The title, “Europa Fleeing from a
Bushfire” instantly kindled an idea. Why not! I thought. There is a link
there.
There followed other pictures of a related configuration - such as
“Europa falling above an inland sea or leaning against the rough back of
a wombat while star gazing”. At night she dreams that she is frolicking
with the cockatoos."
It happened that waiting amongst a stack of pencil drawings from the
1960's was a sketch of a winged figure running through the bush land.
The title, “Europa Fleeing from a Bushfire” instantly kindled an idea.
Why not! I thought.
There is a link there.
Then later, the beautiful Europa (in her dreams) was sometimes hounded
and fascinated by the Australian irresistible Sacred Golden-Plumed
wombat, and sometimes the Golden-Plumed wombat was sitting on her belly.
Thus,
Europa and the Sacred Golden-Plumed wombat sitting on her belly
has awaken my inspiration.
Europa days were fully occupied chasing the Golden crested white
cockatoos and on other occasions Europa was chased by the rarely seen
Black Cockatoo. Europa pursued Cockatoos believing that cockatoo’s
crests are made of the purest gold.
Europa believed she can enlarge her wings and achieve the exhilarating
freedom of flight
if she capture a Golden Crests of the White Cockatoos.
From a hiding place among
Sunflowers
or in a Golden Wattle Tree,
Europa
preys on the unsuspecting birds and, Europa is successful grasping their
crests when they fly close.
There followed other pictures of a related configuration - such as
“Europa falling above an inland sea or leaning against the rough back of
a wombat while star gazing”.
At night Europa dreams that she is frolicking with the cockatoos.
Europa was convinced that if she captures the birds and enlarges her
wings with their golden crests she will achieve the exhilarating freedom
of flight.
From a hiding place in a wattle tree Europa preys on the unsuspecting
birds, Europa is successful grasping their crests when they fly close.
Over a period of the hundred and seven years Europa gradually enlarges
her wings."
written by David BOYD in 1995
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David BOYD Biography
David BOYD
(1924-2011) was a figurative painter, ceramic sculptor and potter, from
a long family tradition of artistic talent. Acclaimed artist in the
fifties and sixties, began his career as a painter in 1957 with a series
of symbolic paintings on Australian explorers.
Since then, David
BOYD painted several major series of works, including his powerful Trial
series, the Tasmanian Aborigines, the Wanderer, The Legend of Europa and
Exiles series.
Picturing innocence
and evil, destruction and creation, his works convey mythical and
universal themes. Having won significant international recognition,
David BOYD was invited by the Commonwealth Institute of Art, London, to
hold a retrospective of paintings at their Art Gallery in 1969.
David BOYD is
represented in the Australian National Gallery, Canberra; all State and
many regional galleries; the Mertz collection, USA; the Power
Collection, Sydney; and many major international galleries and private
collections in Australia and overseas.
PHOTO: 2010 David BOYD in Galeria
Aniela
AWARDS:
(1956) Signatory to
Antipodean Manifesto
(1960)
President of the Contemporary Art Society - Victorian branch
(1960)
Elected Councillor of the Museum of Modern Art of Australia
(1961)
1st
Prize Italian Art Scholarship for Australian Chairman of the Federal
Council of the Contemporary Art Society of Australia
(1969)
invited
to hold a major retrospective
by the
Commonwealth
Institute
of Art in London
at
Commonwealth
Institute
Art Gallery
(1998) received MEMBRO ALBO DORO DEL SENATO ACCADEMICO award he was
officially recognised by the International Academy of Modern Art Rome in
Italy
(1993–96)
Artist-in-residence at the School of Law, Macquarie University NSW
(1998) MEMBRO ALBO DORO DEL SENATO ACCADEMICO - International Academy of
Modern Art Rome Italy
WATCH-VIDEO:
ABC TV Sunday Afternoon
David BOYD
exhibition
WATCH-VIDEO:
ABC TV Australian National News
BOYD
in Galeria Aniela
WATCH-VIDEO: (Part 1)
WIN TV Art Review
David BOYD 'Music and Angels'
WATCH-VIDEO: (Part 2)
WIN TV rt
David BOYD 'Music
and Angels'
PHOTO (2010):
David BOYD in Galeria Aniela
COLLECTIONS
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Usher Gallery, Lincoln, England
-
Adelaide Art Teachers College,
Adelaide, SA
-
Sydney University Power
Collection
-
Graylands College, Perth,
Western Australia Australian War Memorial, Canberra
-
Queensland University, Brisbane
-
Art Gallery of South Australia,
Adelaide
-
Ballarat Art Gallery, Ballarat,
Victoria
-
Sydney University (Law
Faculty), Sydney
-
Harold Mertz Collection of
Australian Paintings, United States of America
-
Queensland Art Gallery,
Brisbane
-
Lincolnshire and South
Humberside Arts, Usher Gallery, Lincloln, England
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Fine Arts Department,
University of Melbourne
-
Adelaide Art Teachers College,
Adelaide, SA
-
Monash University, Melbourne,
Victoria
-
Law School, University of
Melbourne
-
Newcastle Region Art Gallery;
New South Wales
-
University of New South Wales
-
Sydney University Power
Collection
-
Graylands College, Perth,
Western Australia
-
National Gallery of Victoria
-
The University of Adelaide,
South Australia
-
Macquarie University, Sydney,
New South Wales
-
Bundanon Trust, Nowra, New
South Wales
-
Macquarie University, New South
Wales
-
National Gallery of Victoria,
Adam and Eve
-
Art Gallery Of Western
Australia
-
St Francis and the Birds
-
National Gallery of Victoria,
Melbourne, Truganini, The Offering
www.ngv.vic.gov.au/malp/BOYD.html
Pottery:
-
Department of External Affairs,
Canberra
-
Museum of Applied Arts and
Science, Sydney
-
National Museum of Modern Art,
Tokyo
-
Staffordshire Museum,
Stoke-on-Trent
-
Museum of Modern Art of
Australia, Melbourne
PHOTO(2010): David BOYD in Galeria
Aniela
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David Fielding
Gough BOYD (23 August 1924-2011 in
Murrumbeena, Victoria)
is an
Australian
artist, and a member of the
BOYD artistic dynasty.
The BOYD artistic dynasty began with the marriage of Emma Minnie
à Beckett (known as Minnie) and Arthur Merric BOYD in 1886.
David BOYD with Aniela in
Galeria Aniela
(2010)
Both were already established as painters at the time of their
marriage. Their second- son
William Merric BOYD
married Doris Gough and had five artistic children, Lucy
de Guzman BOYD,
Arthur Merric Bloomfield BOYD,
Guy Martin à Beckett BOYD,
David Fielding Gough BOYD, and Mary Elizabeth BOYD.
In 1948 David BOYD married
Hermia Lloyd-Jones, the daughter of graphic artist Herman and
Erica Lloyd-Jones. Following the tradition of their family,
their three daughters Amanda, Lucinda, and Cassandra are
artists.
One
of the contributors to the Antipodeans in the 50’s
David BOYD and acclaimed worldwide,
is a well-known ceramics and
painter, began his career as a classical musician and study
in Conservatorium. He became Chairman of the Contemporary
Arts Society of Australia and won an Italian Government
scholarship in 1961 that allowed him to work and travel in
Italy.
His early career in the 1950s
and 60s was the subject of much controversy in Australia as
his works focused on the unpopular topics of the legal
system The
Trial series
of paintings,
religion and Aboriginal people
the
Tasmanian Aboriginals series of paintings.
In the 1970s BOYD returned living in France before
re-settling in Australia.
David BOYD has won significant
international recognition, in
1969 David BOYD was
invited by the
Commonwealth
Institute
of
Art in London to hold a major retrospective
at their Art Gallery. In 1998
he received award MEMBRO
ALBO DORO DEL SENATO ACCADEMICO officially recognised by the
International Academy of Modern Art Rome in Italy.
David BOYD held
exhibitions throughout Australia and overseas from the 1950’s onwards.
In 1969 he was
invited by the Commonwealth Institute, London to hold a retrospective
exhibition. The introduction to the catalogue written by Professor
Bernard Smith the then Professor of Contemporary Art in the University
of Sydney summed up the work and position of David BOYD in the
Australian art scene when he wrote:- "This exhibition represents a
personal victory over fashion.
For ten years David
BOYD has painted against the current mainstream and for ten years
Australian critics subjected his art to severe criticism. But during the
last twelve months or so the hostility has weakened; revised opinions
are beginning to appear. What was really at issue was not so much the
quality of the paintings as the validity of his position.. Moral values,
the human condition, might well have inspired so it was argued, great
art in the past.
But painting had now
exhausted these positions. They were no longer available for the artist
of the nineteen sixties. The criticism has not mattered much. David BOYD
has continued to paint in his own personal manner and to find an
audience and a growing market for his art in Australia and Britain. He
has found that there is still a place for a moral painter.” (The Art of
David BOYD, Nancy Benko, Hyde Park Press 1973).
In the
1970’s BOYD and his family travelled to France where he
produce some
best works
The Wanderer series,
they stayed for one year.
On their return David BOYD produced most delightful work, combining
angels, aborigines and children dancing through his beloved Australian
bush. He exhibited a series of these mythological paintings “Orchard of
Heaven”. During the next twenty years he travelled and exhibited
overseas and in Australia.
BOYD's closely clad children from BOYD's
Children series and the
beautiful Golden Wombat
of his famous
Europa series
have been favorite with the public. The richly decorated apple trees and
the peek-a-boo faces of the children peering out from behind the bushes
or frolicking at the water’s edge fill the viewer’s heart with a warm
glow. BOYD is a world class artist whose work always causes a definite
emotional reaction from his public. Always true to his thoughts and
feelings David BOYD (1924-2011) remains the most loved distinguished
Australian artist.
David BOYD was a
incredibly gifted artist, a superb ceramic artist and painter. His early
paintings were full of social comment and created controversy.
Boyd's
Explorer Series
depicted Aborigines as gentle frightened people not wanting to be
deprived of their native homeland. Other Boyd's themes included
romanticised works based on historical themes such as The Law, The
Church and The State.
A critic once said that there are few painters of the
quality of David BOYD who paint about the
outrages and crimes of our time.
As David himself says:- “...I
believe that man’s place in the universe is much more mysterious than
his political environment. I often think of myself as being a spiritual
anarchist.
This is the social
basis of my art, in very loose terms. But painting, if it is to
communicate in a forceful way, works on a number of different levels.
The most important for me is its aesthetic merit.
I want to combine
the narrative qualities of my work with a definite aesthetic appeal.”
(The Art of David BOYD, Nancy Benko, Hyde Park Press 1973).
David BOYD played a
significant part in the Antipodean group/movement in Australian Art
history. The group was dedicated to the figurative image. The
Antipodeans reacted not so much against abstract art, as against the
pretentiousness of the many converts to abstract expressionism.
BOYD’s work is full
of moral commitment. His paintings are the work of an impassioned
humanist. While only in his twenties he had a solid reputation as a
painter, potter and ceramic sculptor. Later he became Chairman of the
Contemporary Arts Society of Australia. At this time we won an Italian
Government Scholarship which allowed him to work and travel in Italy.
Throughout Boyd's
career his work has always remained distinctive.
From Italy he moved
to England where he exhibited his famous Trail paintings. He received
favourable reviews:- “...
There is no denying
(BOYD’s ) excellence as a painter, he is a born draughtsman. Drawing can
be taught, but draughtsmanship never.” (The Art of David BOYD Nancy
Benko, Hyde Park Press, 1973.
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Secret Waterfall with White
Cockatoos
Children Playing, Waterfall and White Cockatoos,
Oil on
Board,
60
x 45 cm,
Framed:
85 cm x 70 cm
Price: Enquire
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Europa reaching Gold
Europa
Golden Waterfall
(masterwork)
Oil on
Canvas
Signed 'David Boyd,
65
cm x 55 cm,
Framed
size:
90
cm x 80 cm
Price: Enquire
'Europa Gold Waterfall and
Cockatoos'
is a museum-quality
Masterwork.
The iconic
Legend
of Europa and Cockatoos
series become the most valuable and the most desired series of
paintings.
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Ship returning
Ships Returning, Waiting on the Shore
1970,
Oil
on Canvas,
Signed 'David
Boyd',
50 x 60 cm
Price: Enquire
Exhibited:
1971
The Wanderer series
(first exhibition)
Festival of Arts, Adelaide,
South Australia.
The Adelaide Festival began in
the late 1950s
with efforts by
Sir Lloyd Dumas
to establish a major arts festival that would bring to world-class
cultural exhibitions.
The Adelaide Festival
held in March is made up of several events, features include opera,
theatre, dance, classical and contemporary music,
cabaret, new
media,
literature and visual art.
1971 'The
Wanderer'
Zwemmer
Gallery
London
UK
'The Wanderer' was
exhibited in three sections in three
concurrent separate exhibitions in
London.
Zwemmer
introduced modernism
to
London,
Avant-garde, modernism,
Anton Zwemmer (1892-1979)
1972 'The Wanderer'
Anne Von Bertouch Galleries,
Newcastle, New South Wales
1972-75
South
Yarra
Galleries
Gallery
Melbourne
with
Joseph Brown
a leading
art dealer
promoting a wide range of Australian artists, both historical and
contemporary. In May 2004,
Joseph Brown
donated the major part of his collection of Australian art to the
National Gallery
of Victoria
the most generous single
gift of works of art ever made to a public gallery in Australia.
Displayed at the Ian Potter Centre for
Australian art,
The
Joseph Brown
Collection
provides a cross section of Australian art. Included are paintings from
all major periods from colonial to
Heidelberg
to Aboriginal and twentieth-century art.
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Europa and the
Golden-Plumed Wombat
Europa
and the Sacred Golden-Plumed Wombat sitting
on her Belly
Legend
of Europa and Cockatoos
Oil on
Canvas on Board
Image Size: 45 x 60 cm
Signed lower left
'David Boyd'
Date Lower right 2002
Price:
Enquire
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Europa with Sunflowers
Europa
with Sunflowers
and White Cockatoo (1995)
masterwork
Oil on
Canvas
Signed Lower left 'DAVID BOYD'
Date Lower Right '1995'
Image size: 57 cm x 75 cm
Framed size:
82 cm x 100 cm
Price:
Enquire
The Legend of
Europa and
Cockatoos
-
'Europa with Sunflowers and White Cockatoo' is
a museum-quality work and it is the
first painting David Boyd has produced that started the
iconic
Legend
of Europa and Cockatoos
series, these small series of paintings become the most loved
and the most valued series of paintings.
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VIDEO
1
VIDEO 2
'Music and Angels
series of paintings
VIDEO
1
and
VIDEO 2 |
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Aniela and David BOYD in David Boyd's studio
is Sydney (1995) |
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BOYD Videos
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The Front Page the Sydney Moring Herald 'Best of BOYD Exhibition' in
Galeria Aniela, May 1997
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VIDEO
ABC TV Sunday
Afternoon,
BOYD
in Galeria Aniela
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VIDEO:
Australian
National News
ABC TV BOYD
VIDEO
(gallery site):
ABC TV
Australian
National News
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VIDEO
Part 1:
Australian WIN TV
David BOYD ‘Music and the Angels’
VIDEO Part 2: Australian WIN TV
David
BOYD ‘Music and the Angels’
‘Music and the Angels’ was launched in 1998 in Galeria Aniela.
David BOYD ‘Music and the Angels’ hark back about the importance
of joy, love every day.
He created the new series ‘Music and the Angels’ to pay tribute
to his daughter Amanda, who suffered from the breast cancer and
regrettably passed away Saturday, 29 August 1998.
VIDEO:
David BOYD dies aged 87
(7pm ABC TV News
NSW)
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VIDEO:
Australian National ABC TV David BOYD artistic legacy.
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VIDEO:
Hon. Bob Hawke Prime Minister of Australia
PHOTO:
Hon. Bob
Hawke
(centre)
Mrs. Blanche D'Alpuget
(right)
Aniela Kos
(left)
Hon. Bob Hawke was
the
23rd
Prime Minister of Australia and the
Leader of the Labor Party
from 1983 to 1991.
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FP-SMH
'Best
of BOYD'
exhibition
in
Galeria Aniela
coup the front page Sydney Moring Herald
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Founded in 1994, Galeria Aniela won the trust, hosted and exhibited
world-class artists
and received celebrities such as Sir David
Attenborough, Cameron
O’Reilly
and
Bob Hawke,
Australian Prime Minister. Selling quality fine art of impeccable
provenance,
Galeria Aniela built a strong
standing
in Australia and internationally.
We welcome the opportunity to speak with you, please feel free to
contact us
to discuss ways in which Galeria Aniela can assist you now and in the
future.
video Galeria
Aniela Fine Art broker
Galeria Aniela provides
an independent, professional, friendly service that others are unable to
match with
experienced guidance,
representing clients best interest in the
Art Market, from the point
of the art
investment value, quality and impeccable provenance.
Combining a wide network of resources with the knowledge and
expertise in the
Australian art
and
Global art market, Galeria
Aniela assists clients in all aspects of dealings in fine art,
shipping worldwide,
helping save time and money.
Testimonials
At Galeria Aniela, Fine Art refers to high-quality works by renowned
artists.
If you consider buying or selling work of Arthur
Boyd, Brett
Whiteley, Fred
Williams, John
Perceval, John Olsen, Charles
Blackman, Garry
Shead or
another significant work of fine art, please contact
us.
Video Jamie Boyd, the Boyd family most important LIVING
artist
The
BOYD family
exhibition
in Galeria Aniela coup the
front page
Sydney Morning Herald,
Australian National NEWS ABC TV
and
Sunday Afternoon ABC TV.
John Perceval Retrospective won
the Australian
National NEWS ABC TV and
Charles Blackman Retrospective conquer
Australian
Art Scream
SBS TV.
Works of art live for generations, constantly reborn in the
minds of the beholders to bring new meanings, new dreams, new
ways of seeing and experiencing the world. Be part of this magic
world of amazing fine art from the ocean of tranquillity to
concur
the heart, mind and soul.
The vision of Galeria Aniela is to increase the awareness of Australian
artists
cultural contribution. With passion for art, hard work and dedication,
we strive for high ideals to create a better future for the arts.
When you purchase Art from Galeria Aniela,
you make a valuable contribution to our mission of helping artists to
make a living with their creations and together we make a difference.
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