|
SALVADOR DALI
261A Mt Scanzi Road Kangaroo Valley NSW 2577 Australia T: +612 4465 1494
www.galeriaaniela.com.au

Home
|
Dalí, Salvador (1904-89): Spanish painter, sculptor, graphic artist, and
designer. After passing through phases of Cubism, Futurism and
Metaphysical painting, he joined the Surrealists in 1929 and his talent
for self-publicity rapidly made him the most famous representative of
the movement. Throughout his life he cultivated eccentricity and
exhibitionism (one of his most famous acts was appearing in a diving
suit at the opening of the London Surrealist exhibition in 1936),
claiming that this was the source of his creative energy. He took over
the Surrealist theory of automatism but transformed it into a more
positive method which he named `critical paranoia'. According to this
theory one should cultivate genuine delusion as in clinical paranoia
while remaining residually aware at the back of one's mind that the
control of the reason and will has been deliberately suspended. He
claimed that this method should be used not only in artistic and
poetical creation but also in the affairs of daily life. His paintings
employed a meticulous academic technique that was contradicted by the
unreal `dream' space he depicted and by the strangely hallucinatory
characters of his imagery. He described his pictures as `hand-painted
dream photographs' and had certain favorite and recurring images, such
as the human figure with half-open drawers protruding from it, burning
giraffes, and watches bent and flowing as if made from melting wax (The
Persistence of Memory, MOMA, New York; 1931). In 1937 Dalí visited
Italy and adopted a more traditional style; this together with his
political views (he was a supporter of General Franco) led Breton to
expel him from the Surrealist ranks. He moved to the USA in 1940 and
remained there until 1955. During this time he devoted himself largely
to self-publicity; his paintings were often on religious themes (The
Crucifixion of St John of the Cross, Glasgow Art Gallery, 1951),
although sexual subjects and pictures centring on his wife Gala were
also continuing preoccupations. In 1955 he returned to Spain and in old
age became a recluse. Apart from painting, Dalí's output included
sculpture, book illustration, jewellery design, and work for the
theatre. In collaboration with the director Luis Buñuel he also made the
first Surrealist films---Un chien andalou (1929) and L'Age d'or
(1930)---and he contributed a dream sequence to Alfred Hitchcock's
Spellbound (1945). He also wrote a novel, Hidden Faces (1944) and
several volumes of flamboyant autobiography. Although he is undoubtedly
one of the most famous artists of the 20th century, his status is
controversial; many critics consider that he did little if anything of
consequence after his classic Surrealist works of the 1930s. There are
museums devoted to Dalí's work in Figueras, his home town in Spain, and
in St Petersburg in Florida. |
|
 |
Artist:
SALVADOR DALI (1904-1989)
Title:
Muchachade espaldas 1925
Medium: Facsimile on canvas signed in plate
Image Size: 28 x 19 cm
Price (framed):
SOLD
Provenance: Galeria Aniela purchased at Figures, the Foundation Gala-Salvador Dali,
Vegap 2002
NOTES:
Facsimile on canvas signed in plate, MLD 06. -
Dali Muchacha a la ventana. Centro de Arte Reina Sofia. Museum line
printed in Spain D.L.: M-23332-1993.
|
 |
Artist:
SALVADOR DALI (1904-1989)
Title:
Jeune fille a la fenetre 1925
Medium: Facsimile on canvas signed in plate
Image
Size: 28 x 19 cm
Price (framed):
SOLD
Provenance: Galeria Aniela purchased at Figures, the Foundation Gala-Salvador Dali,
Vegap 2002
NOTES:
Facsimile on canvas signed in plate, MLD 07. -
Dali Muchacha de espaldas. Centro de Arte Reina Sofia. Museum line
printed in Spain D.L.: M-23331-1993.
|
|
Salvador Dali is
considered as the greatest artist of the surrealist art movement and one
of the greatest masters of art of the twentieth century. During his
lifetime the public got a picture of an eccentric and caused a lot of
controversy. After his death in 1989 his name remained in the headlines.
Dali worked hard to establish an image of an excentric genius. Probably
he only followed the rules of marketing a product - his own art. And the
name of the game is "It is not important what you do as long as you are
in the headlines."
|
Meeting Gala was the most important event in the artist's life
and decisive for his future career. She was a Russian immigrant
and ten years older than Dali. When he met her, she was married
to Paul Eluard. Gala was born in Kazan, Russia, in 1894. In
1913, suffering from tuberculosis, she was sent by her parents
to the Swiss sanatorium in Clavadel, where she met the French
poet Paul Éluard. They married in 1917 and, under the influence
of her husband and his friends André Breton, Louis Aragon and
Max Ernst she burst into the effervescent Parisian Surrealist
movement. In the summer of 1929 Éluard and Gala, together with
some other friends, visited the young painter Salvador Dalí in
his Portlligat refuge, near Cadaqués. During that short stay
Gala and Dalí fell in love with each other and she took a firm
decision: "We will never again be apart." Gala decided to stay
with Dali. From that time on Gala became the model, muse and
inseparable companion of one of the 20th century's most famous
artists, whom she followed in his stays in various parts of
Europe and the United States. She became his companion, his
muse, his sexual partner, his model in numerous art works and
his business manager. For him she was everything. Most of all
Gala was a stabilizing factor in his life. And she managed his
success in the 1930s with exhibitions in Europe and the United
States. Gala was legally divorced from her husband in 1932. In
1934 Dali and Gala were married in a civil ceremony in Paris and
in 1958 in church after Gala's former husband had died in 1952.
In 1948 Dali and Gala returned to Europe, spending most of their
time either in their residence in Lligat/Spain or in
Paris/France or in New York. Dali developed a lively interest in
science, religion and history. He integrated things into his art
that he had picked up from popular science magazines. Another
source of inspiration were the great classical masters of
painting like Raphael, Velasquez or the French painter Ingres.
The artist commented his shift in style with the words: "To be a
surrealist forever is like spending your life painting nothing
but eyes and noses." In 1958 the artist began his series
of large sized history paintings. He painted one monumental
painting every year during the summer months in Lligat. The most
famous one, The Discovery of America by Christopher Columbus,
can be seen at the Dali Museum in St. Petersburg in Florida. It
is breath-taking. The artist's late art works combine more than
ever his perfect and meticulous painting technique with his
fantastic and limitless imaginations. From around 1965 on, the
couple was seen less frequently together. But Gala continued to
manage Dali's business affairs. Salvador Dali is the only known
artist who had two museums dedicated exclusively to his works at
lifetime. The Museum was the former Municipal Theater of
Figueres. In 1918, when Salvador Dali was only fourteen years
old, it had shown his first public exhibition. Since 1970 the
artist had dedicated his energy to transform the former
Municipal Theater into a museum and art gallery. From 1971 to
1980 Gala made stays in Púbol Castle, where she was buried. The
castle, known now as Gala Dalí Castle Museum-House,
has been open to the public since 1996. In 1974 the
Theatro Museo Dali was officially opened. In 1980 Dali was
forced to retire due to palsy, a motor disorder, that caused a
permanent trembling and weakness of his hands. He was not able
to hold a brush any more. The fact that he could not follow his
vocation and passion of painting and the news of Gala's death in
1982 left him with deep depressions. After Gala's death he moved
to Pubol, a castle, he had bought and decorated for Gala. In
1984, when he was lying in bed, a fire broke out and he suffered
sever burns. Two years later, a pacemaker had to be implanted.
Towards the end of his life, Dali lived in the tower of his own
museum where he died on January 23, 1989 from heart failure.
|
|
|
|