Artist: Pamela Griffith
Title: Rose Mallee
Medium: Oil on canvas
Size: 60.5x60.5cm
Price: SOLD

This painting is illustrated on page 121 in the  "Australia an Artist journey through the landscape"  by Pamela Griffith.

Artist: Pamela Griffith
Title: Camellias in an Oriental Room
Medium: Oil on canvas
Size: 83x100cm
Price: SOLD

Artist: Pamela Griffith
Title:  Hippeastrum, Pomegranates & Art Glass
Medium: Oil on canvas
Size: 76.5x58.5cm
Price: SOLD

Artist: Pamela Griffith
Hydrangeas, Gladiolus & Grapes
Medium: Oil on canvas
Size: 90x70.5cm
Price: SOLD

Artist: Pamela Griffith
Title: Winter Blooms
Medium: Oil on canvas
Size: 61x45cm
Price: SOLD

Artist: Pamela Griffith
Title:  Dutch Iris
Medium: Oil on canvas
Size: 76x61cm
Price: SOLD

Artist:    PAMELA GRIFFITH
Title:     Wattle and Iris Flowers
Medium: oil on canvas
Image Size: 80 x 100 cm
Price: SOLD

Artist: Pamela Griffith
Title:  Apple Blossom Vase
Medium: Oil on canvas
Size: 90x60cm
Price: SOLD

Artist: Pamela Griffith
Title:  Peppercorns and Preserves
Medium: Oil on canvas
Size: 87x112cm
Price: SOLD

Artist: Pamela Griffith
Title: Daffodils and White Pots
Medium: Oil on canvas
Size: 61x45cm
Price: SOLD

Artist: Pamela Griffith
Title:  Limes
Medium: Oil on canvas
Size: 61x75cm
Price: SOLD

Artist: Pamela Griffith
Title:  Poppies in a Quart Pot
Medium: Oil on canvas
Size: 65x50cm
Price: SOLD

Artist: Pamela Griffith
Title:  Pot Plant Collection
Medium: Oil on canvas
Size: 83x101cm
Price: SOLD

Artist: Pamela Griffith
Title:  Spring Wattle
Medium: Oil on canvas
Size: 84x71cm
Price: SOLD

The Prime Minister, John Howard gave each of the world leaders limited-edition prints selected with the assistance of the National Gallery of Australia (Canberra). There was a rural scene (with Australian flowers) by Pamela Griffith and an Arnhem Land print by Tim Djandjomerr. One of the works is by the Sydney artist Peter Kingston and features Sydney Harbour and the Opera House, the backdrop for today's traditional APEC photo. News-Sydney, Sydney Morning Herald, 8th September 2007, by Phillip Hudson. To view the entire article, click on:
http://www.smh.com.au/articles/2007/09/08/1188783509046.html.

COLLECTIONS:
With the experience which spans over 4 generations Pamela Griffith art hangs in prestigious public, corporate and private collections along legendary Australians like Margaret Olley, Ray Crook, Sir Arthur Streeton National Gallery of Victoria including: The National Gallery of Australia; Parliament House of NSW, Parliament House of Australia; The Mitchell Library; The Maritime Museum in Paris; The Vatican Rome; The Metropolitan Museum of Art, New York, USA; the Prime Minister's Palace Beijing, China. The Offices of the Prime Minister and the Governor of New South Wales, the Prime Ministers of France, Lithuania, China and other international dignitaries including the Earl of Essex (Edward, grandson of Queen Elizabeth).
Many prestigious public, corporate and private collections including the National Gallery of Australia, Canberra; Parliament House of NSW; Parliament House, Canberra; The Powerhouse Museum, NSW; Mitchell Library; State Library NSW; Art Bank, Commonwealth of Australia; Joan Sutherland Performing Art Centre, Penrith; Laperouse Museums, Sydney and Paris; Regional Galleries including Wollongong, Bathurst, Dubbo, Tamworth, Bundaberg; Family Courts, Sydney and Parramatta; University of New South Wales; University of Sydney; Charles Sturt University; Westmead Hospital; Comalco; Hagemeyer (Australasia) B.V.; The Vatican, Italy; Metropolitan Museum of Art, New York; Prime Minister's Palace, Beijing; numerous Australian Embassies all over the world.

Pamela Griffith is one the 50 most collectable Australian artists, Ref. Australian Art Collector, issue 35. Pamela Griffith exquisite arrangements of flowers, fruit and objects have timeless quality and seduce the viewer with their technical virtuosity and inherent grace.  With the experience which spans over 4 generations Pamela Griffith art hangs in prestigious public, corporate and private collections along legendary Australians like Margaret Olley, Ray Crook, Sir Arthur Streeton National Gallery of Victoria including: The National Gallery of Australia; Parliament House of NSW, Parliament House of Australia; The Mitchell Library; The Maritime Museum in Paris; The Vatican Rome; The Metropolitan Museum of Art, New York, USA; the Prime Minister's Palace Beijing, China.

Pamela Griffith is an artist whose work follows the tradition of great masters of the technical excellence which she applies to her decidedly contemporary work. In painting, drawing, printmaking and design she strives for work which is both artistically satisfying and technically masterful. She has become one of Australia's most valued artists. She has worked professionally in the arts for more almost four decades, producing a vast body of work which has found its way into public and private collections in many parts of the world.

Same as the world greatest masters, Pamela Griffith is proud of her technical excellence though the creative vision is just as important to Pamela Griffith. Interpretation of the natural world is close in her creative thoughts and she has traveled to many parts of the world in search of inspiration. A keen observer of geographical influences and life forms, her landscapes invariably invoke recollections of her joy and fascination with all forms of flora and fauna. Pamela’s extensive travel throughout Australia, has engendered a passion for the depiction of this ancient and fragile land. She has produced an impressive body of landscape works, many including elements which depict the influence of human activity on the environment, or our pleasure and reverence in interaction with nature. She loves walking with her sketch pad and a camera at hand, on mountain, river bank, plain and seashore, allowing intimate contact with her beloved country. Pamela Griffith also supports one of the best equipped print workshops any artist could hope to find, working with a full time printmaker to produce her editions of fine etchings.

Artist Statement
Whilst I have always been a versatile artist producing portraits, still life paintings and landscapes in various mediums that include oil, water colour and etchings I have always been very preoccupied with travel and landscape. When researching my book " Australia, an artist's journey through the landscape" I became aware of how few iconic images Australians have to celebrate our nation as we have only been in this place a short time. I live near the Royal National Park which is the second oldest National park in the world, so I have generated some landscapes from this area to add to my impressions of Australia. Since colonial times Sydney-siders have toured the park and it was a favorite spot to take a "car for a spin" in the early days of the automobile. The old boat-shed at Audley Weir is where so many Australians met and had picnics so I felt obliged to paint it in a representational manner befitting it's history. I shall always be looking at ways of expressing my love for Australia. I like to take a broad sweep in my paintings then examine the subject thoroughly in drawing and etchings.

Overseas studies:
Experience in Europe, England, Israel, and Asia. Invitation to Maritime Museum Paris, 1987; Guest at the Art Centre Ubud, Indonesia, 1993; Thailand 1995; Turkey 1995; Official tour to Hong Kong,1995 -Exhibition funded by International Cultural Relations Branch of the Department of Foreign Affairs and Trade; Project in Borneo on environment. 1996.

COMMISSIONS: 
Print editions for Friends of the Earth; Syrinx Research, Museum of Applied Arts and Sciences; Stadia Graphic Gallery; Braybon-Ward Collection; Bridge Street Gallery; Lennox Gallery; Fairmont Hotel, Leura; Comalco (C.R.A. Services); The La Perouse Museum; Marrickville Municipal Council; Ascraft Fabrics, under patronage of the Royal Australian Historical Society; Print Council of Australia Bicentennial 100x100 project; Century Publishing & Painters Gallery; The Griffith Studio and Graphic Workshop directed by Pamela Griffith has been involved with the publication of limited edition material for numerous Australian artists; Sets & Costumes for Primevera Ballet - Conservatorium of Music, 1983.