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Lorna Fencer Napurrula (1920-2006) Biography

261A Mount Scanzi Road Kangaroo Valley NSW 2577 Australia  T: +612 4465 1494  www.galeriaaniela.com.au

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Artist: Lorna Fencer Napurrula (B.1920 -2006)
Title:
Yam Dreaming 2003
Medium: 
Acrylic on Belgian linen
Image Size:
97.5 x 105
cm
Framed
Size: 130 x 140 cm
Price (framed): $28,000

Encyclopedia Aboriginal artists dictionary of biographies: page  262


Encyclopedia Aboriginal artists dictionary of biographies page  262 (Lorna Fencer Napurrula (B.1920 -2006) Western Desert, Central Desert and Kimberley Region by Margo Birnberg and Janusz B. Kreczmanski.

 

Prices may change without a prior notice, to purchase please contact us 

COLLECTIONS:
Museum Holland
Japan Palace Tokyo
HOOD Art Museum Hanover
Art Gallery of South Australia, Adelaide
Queensland Art Gallery, Brisbane
Art Bank, Sydney
National Gallery of Victoria, Melbourne
National Museum of Australia

Homes a Court Collection, Perth
Art Gallery of Western Australia, Perth
Museum and Art Gallery of the Northern Territory, Darwin
National Gallery of Australia, Canberra
Laverty Collection Sydney; Anthropology Art Museum
Kerry Stokes Collection
Australian Heritage Commission Collection Canberra
Margaret Carnegie Collection;
Gold Coast Art Gallery Arts Centre
Günter Myer Collection of Aboriginal Art; Leeuwin
Alice Spring Museum
Donald Kahn Collection USA
Richard Kelton Foundation, Santa Monica, USA
National Museum of Women Arts Washington
Victorian Art Centre; Christensen collection;

Lorna Fencer Yam Dreaming work in progress

Lorna creates

Lorna Fencer biography from Encyclopedia

Yam Dreaming

 

Title:      Yam Dreaming 2003
Artist:
   
Lorna Fencer Napurrula (1920 -2006)
Medium: Acrylic on Belgian linen
Image Size:
97.5 x 105
cm
Framed
Size: 130 x 140 cm

NOTES:
This is a beautiful painting by late
Lorna Fencer, her use of vibrant colours and layering creates an exuberance and depth to her work, not often seen in painting of this region, more typically known for its dot work.

Lorna's  work depicts the food ceremonies originating from Dreaming stories  involving the travels of the Napurrula and Nakamarra and some Dreamings from her father’s country
Wapuurtarli

Awards
1997 Gold  Coast City Art Award, Queensland;
1998 John McCaughey Memorial Art Prize, Australian National Gallery of Victoria, Melbourne;

Prices may change without a prior notice. To purchase please contact us

 

Lorna Fencer Napurrula Biography Lorna Fencer Napurrula, born about 1920 at Yartula Yartula is a Senior Warlpiri Custodian. View Lorna Fencer Curriculum Vitae page 262 Australian Encyclopedia Aboriginal Artists dictionary of biographies. Lorna Fencer was among the many Warlpiri people forcibly relocated to Lajamanu along Hookers Creek, where a government settlement had been established. This country is the traditional land of the Gurindji Aboriginal people. Despite relocation, Lorna Fencer retained her cultural identity through ceremony, story telling and painting her art. Lorna Fencer Napurrula inherited stories about the land Yumurrpa located south of the Granites Mine Area in the Tanami Desert, Northern Territory. Lorna is among a small group of women who produced the first paintings at Lajamanu.

Born:                           around 1920
Died:                           December, 2006
Region:                       Tanami Desert
Community Centre:      Lajamanu
Art Centre or Agency:  Warnayaka Art Centre
Outstation or Country: Yumurrpa, near Yuendumu
Language Bloc:            Ngarrkic
Language:                   Warlpiri
Social Affiliations:         Napurrurla subsection

COLLECTIONS:
Museum Holland
Japan Palace Tokyo
HOOD Art Museum Hanover
Art Gallery of South Australia, Adelaide
Queensland Art Gallery, Brisbane
Art Bank, Sydney
National Gallery of Victoria, Melbourne
National Museum of Australia

Homes a Court Collection, Perth
Art Gallery of Western Australia, Perth
Museum and Art Gallery of the Northern Territory, Darwin
National Gallery of Australia, Canberra
Laverty Collection Sydney; Anthropology Art Museum
Kerry Stokes Collection
Australian Heritage Commission Collection Canberra
Margaret Carnegie Collection;
Gold Coast Art Gallery Arts Centre
Günter Myer Collection of Aboriginal Art; Leeuwin
Alice Spring Museum
Donald Kahn Collection USA
Richard Kelton Foundation, Santa Monica, USA
National Museum of Women Arts Washington
Victorian Art Centre; Christensen collection;

Awards
1997 Gold  Coast City Art Award, Queensland.
1998 John McCaughey Memorial Art Prize, Australian National Gallery of Victoria, Melbourne.
1997- John McCaughey Memorial Art Prize
National Gallery of Victoria (Melbourne)
 

Selected Exhibitions:
1988
People, Place and Art, Hilton International Hotel, Adelaide, South Australia
1988, People, Place and Art, Hilton International Hotel, Adelaide, South Australia
1991, Aboriginal Art, Australian Embassy, Washington USA
1991, Paint Up Big: Warlpiri Women's Art from Lajamanu, National Gallery of Victoria, Melbourne
1991, Aboriginal Art and Spirituality, High Court of Australia Canberra, ACT
1991 Aboriginal Art and Spirituality, High Court of Australia;
1991
Aboriginal Art, Australian Embassy, Washington, USA;
1991
Paint up Big Warlpiri Women’s Art from Lajamanu, Australian National Gallery of Victoria, Melbourne;
1994, Yapakurlangu Wirrkardu, Batchelor College, Tennant Creek, Northern Territory
1994 Yapakurlangu Wirrkardu exhibition, Australian North Territory; 1996, All About Art, Alcaston Gallery, Melbourne
1996 Rainbow Serpent, Vaucluse, NSW;
1996 All About Art, Melbourne
1997, Women's Body Paint, National Gallery of Victoria, Melbourne
1997, Recent Acquisitions, National Gallery of Victoria, Melbourne
1997, Me Warlpiri, Alcaston Gallery, Melbourne
1997 Yumarlpa Stories exhibition, Original and Authentic Aboriginal Art Gallery, Melbourne;
1997
Women’s Body Paintings from Lajamanu, Australian National Gallery of Victoria, Melbourne;
1997 Recent Acquisitions, National Gallery of Victoria, Melbourne
1997/8, John McCaughey Memorial Art Prize, National Gallery of Victoria, Melbourne
1998, Australian Heritage Commission, Canberra, Australian Capital Territory
1998, Yulyulu, Alcaston Gallery, Melbourne
1998, 6th Australian Contemporary Art Fair, Exhibition Building, Melbourne
1998, Warnayaka Warlpiri, Karen Brown Gallery, Darwin
1998 Me Warlpiri exhibition Melbourne;
1998
6th Australian Contemporary Art Fair, Exhibition Building, Melbourne;
1998 John McCaughey Memorial Art Prize, Australian National Gallery of Victoria, Melbourne;
1998, Wild Warlpiri Women, Coo-ee Aboriginal Art Gallery, Sydney
1999, Australian Embassy in Washington D.C
1999, United Nations Building New York, USA
1999, Yapa, Alcaston Gallery, Melbourne
1999 St Valentine’s Exhibition, Brisbane;
1999
Tracks Across the Landscape exhibition, Land Rover Showroom, Sydney
1999
Yapa exhibition, Melbourne
2000, Lajamanu, Japingka Gallery, Fremantle, Western Australia
2000, Opening of Yuwayi Art Centre, Yuwayi Gallery, Sydney, NSW
2001, Little Gems, Japingka Gallery, Fremantle, Western Australia
2001 A Tribute to Lorna Napurrula Fencer, Original & Authentic Aboriginal Art Gallery, Melbourne
2002, Lorna Napurrula Fencer, Japingka Gallery, Fremantle, Western Australia
2002, Lorna Napurrula Fencer - The Big Picture, Vivien Anderson Gallery, Melbourne
2002, Lorna Fencer - Inner Spring - New Works from the Tanami, Mary Place Gallery, Sydney
2003, 20th Telstra National Aboriginal and Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin.
2003 Yumarlpa Stories, Original & Authentic Aboriginal Art Gallery, Melbourne
2004, The Dancers - Warlpiri Women, Art Mob, Hobart; Colour Power - Aboriginal Art Post 1984, The Ian Potter Centre, NGV Australia, Melbourne.21st Telstra National Aborigainal and Torres Strait Islander Art Award, Museum and Art Gallery of the Northern Territory, Darwin
2005, Lorna Napurrula Fencer: Recent Paintings, Hogarth Galleries, Sydney; All About Yumarrpa, Vivien Anderson Gallery, Melbourne
2005, Decouvrir, Rever, Investir, Australian Embassy, Paris, France
2005,  Lorna Napurrula Fencer passed away in December 2006.

Lorna Fencer Napurrula main stories (Dreamings) she paints are about the gathering and growth of bush foods such as the Yarla (Yam), Wapirti and Marlujarra. These Dreamings (stories) entitle her to paint subjects such as the bush yam (sweet potato), ngalatji (little white flower), bush tomato, berry, caterpillar (luju), wallaby, onion, water and particular men's stories including boomerangs. The Yarla is an important Dreaming for the Warlpiri women, and a staple food source in the Western Desert. Here Lorna renders it in her distinctive expressive style. Along with visually describing the Yarla, some paintings contain information about when to gather this food source and how to find it. The use of vibrant colours and layering creates an exuberance and depth to her work, not often seen in painting of this region, more typically known for its dot work.

Medium - Form:  
Chromacryl acrylic,
Reeves Liquicryl on pre-primed unstretched cotton duck on canvas pre-primed art board,
acrylic paint on Coolamons, Kudurru [fighting stick],
acrylic paint on quartz rock chunks and slate,
bean tree wood acrylic paint on canvas.

Subjects and Themes:  
Yarla, Wapirti and Marlujarra.

P
aints: Sweet potato,"ngalatji" little white flower, bush tomato, bush yam.  

Selected Bibliography:
Glowczewski, B., 1991, Yapa, Peintres Aborigenes de Balgo et Lajamanu, Lebon Gallery, Paris, Johnson, V., 1994, The Dictionary of Western Desert Artists, Craftsman House, East Roseville, New South Wales. (C), Ryan, Judith - Paint up Big Warlpiri Women's Art, National Gallery of Victoria, Melbourne, Isaacs, J - Spirit Country - Contemporary Australian Aboriginal Art, Hardie Grant Books, South Yarra, Victoria, Ryan, Judith. Colour Power - Aboriginal Art Post 1984, National Gallery of Victoria, Melbourne, 2004.

© Discovery Media, Documentation Pty Ltd, and the Australian Institute of Aboriginal and Torres Strait Islander Studies

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