Don Tjungurrayi

261A  Mt  Scanzi  Road      Kangaroo  Valley  NSW  2577  Australia     T: +612 4465 1494     www.galeriaaniela.com.au 
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Don Tjungurrayi was born in Yupurirri, has painted since the end of the 70´s. Don Tjungurrayi won the important Alice Springs Art Prize in 1986. Please view Don Tjungurrayi Curriculum Vitae  page 406 Australian Encyclopedia 2004 Aboriginal Artists dictionary of biographies.

COLLECTIONS: 
Don Tjungurrayi work is represented in  important private and corporate collections in Australia and international collections including The Holmes a Court Collection; The Kerry Stokes Collection, Australia; Wollongong City Art Gallery; The Victorian Art Centre, Melbourne; Ebes Collection; Araluen Arts Centre, Alice Springs; Museum and Art Gallery of the Northern Territory, Darwin;  Holmes a Court collection, Perth; Art Gallery of Western Australia Perth; Art Gallery of South Australia Adelaide; Art Galley Northern Territory Darwin;  Broken Hill Art Gallery; Art Bank Sydney; National Art Gallery Queensland, Museum Queensland.

 

scroll down     to view full Curriculum Vitae

 

Artist:     DON  Tjungurrayi (B.1938-)
Title:
     Male Initiation Ceremony  2002
Medium: 
Acrylic on Belgian linen
Image Size:
120 x 91 cm

Signed:  on reverse
Price (framed in a modern gold leaf):  A$15,000 - frame included
Provenance: Galeria Aniela purchased from Warumpi Community Art Centre, Alice Springs

NOTES:
Don pays particular attention to details creating the most inspiring and brilliant  paintings. This powerful work of art has a multi-dimensional nature and sheer physical presence of much contemporary artwork with accuracy and many intricate details and subtle shades of colour.

This painting tell about young males initiation ceremony. While many ceremonies are public, Male Initiation Ceremony are secret and strangers, young women, non initiated boys and girls would be limited in attending the sacred ceremonies. They main categories of ceremonies are; education of their sacred laws and behavioral codes and to ensure continuation of totemic species to live in harmony with the land. Aboriginal men perform the ceremonies at different times of the year. Each ceremony has to be organized, supervised and managed and the performance of each ceremony dependents the person ownership, their knowledge as well as their status. A concentric circle represents a meeting place. Ceremonies involve songs, dances and body adornment.


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Biography:
View Don Tjungurrayi Curriculum Vitae  page 406 Australian Encyclopedia 2004 Aboriginal Artists dictionary of biographies. Don Tjungurrayi was born in Yupurirri, then went to Yuendumu school und worked later as a drover and boundary rider. He has painted since the end of the 70´s and won the Alice Springs Art Prize in 1986. His artworks are to be found in collections in the USA and Australia.

AWARDS: 
1986 Alice Springs Prize

COLLECTIONS: 
Don Tjungurrayi work is represented in  important private and corporate collections in Australia and international collections including The Holmes a Court Collection; The Kerry Stokes Collection, Australia; Wollongong City Art Gallery; The Victorian Art Centre, Melbourne; Ebes Collection; Araluen Arts Centre, Alice Springs; Museum and Art Gallery of the Northern Territory, Darwin;  Holmes a Court collection, Perth; Art Gallery of Western Australia Perth; Art Gallery of South Australia Adelaide; Art Galley Northern Territory Darwin;  Broken Hill Art Gallery; Art Bank Sydney; National Art Gallery Queensland, Museum Queensland.

Unlike the Western world the Aboriginal people inherit stories called “dreaming”.  Each story may include songs, ceremonial dances and rituals creating unique beliefs that the Aboriginal people live by. All stories and beliefs are related to the land and thus the land is great importance to them. The land is the keeper of the stories and must be kept safe for all time so that the stories, which are told in paintings, can be preserved.In modern dot representation is the sacred aspect of painting is not always completely revealed but the meaning, transmitted through symbols remains, and can be understood.

Dreamtime
They believe that the Universe was created by spirits (mystical beings) setting the blueprint for all time the way human may govern their conduct. The spirits gathered their food, dug for water, performing ceremonies as the Aboriginal do it today but the landscape stay unchanged. During the Creation Time spirits shaped all the landscape; hills and water holes and given humans all the sacred laws. That time was known as “Dreamtime” and it came to the end and their ancestor changed into landscape, they turn into a rock or mountain range, an isolated hill, river or even trees arose to mark the place. They look upon these spirits creators as ancestors. Aboriginal believe in an existing connection to their ancestor spirit and to the land. They are spiritual biological beings appreciative of the fragility of the nature and making an effort to live in harmony with the environment. Since every Aboriginal descent of the mythical beings of the “Dreamtime” each person is linked by myth and tribal relationship with the landscape, the rocks and watercourses, and everything else in his tribal country.

Philosophy of life
The philosophy of life, known as Dreamtime (Tjurrkurpa) is based on tradition conceived by totemic ancestors. Men and women believe to be direct descendants in spirit of “mythical architects” who created the land and different totems; kangaroo, Emu, turkey, lizards and the land in which they live. They feel special affinity with their related totem animal species. It is believed that sacred ceremonies have to be re-enacted on a regular basis to maintain the animal species and ensure survival of the humans.  Each family owns a special area of land and must protect sacred sites representing their personal totems Dreamtime spirits. People travel long distances from all directions to participate in the initiation ceremonies and to educate the young. The journey could last days or several months and women hunt and collect food during the voyage.

Aboriginal Secret language
A concentric circle represents a waterhole or a meeting place.

An oval shape symbolize a coolamon which is a wooden bowl used to carry food, water and even babies.

Didgeridoo originated from a northern part of Australia and it is a musical instrument producing profound and remarkable rhythmic sound. It is made from a hollow small tree or a branch of a tree eaten out by termites.

Music sticks comprise of a pair wooden sticks and used in ceremonies as a common drumming instrument to keep the rhythm of the song and dance and to accompany the didgeridoo.

Boomerang are made of mulga-wood and often used by men as a music drumming instrument for ceremonies, there are some variation in length and thickness. Returning boomerangs are mainly found in lake and swamp areas used traditionally by men to scare birds from water ways into pre-nests.

Digging sticks are simple hardwood sticks with sharpen and fired harden point mainly used by women for digging water, lizards, rabbits, witchetty grubs and edible roots.

 


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