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Galeria Aniela the world’s local fine art gallery
Australian contemporary
Aboriginal
art
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ARTISTS
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Established in 1994, Galeria Aniela won the trust of some of the most important Australian artists with Charles Blackman, Arthur Boyd, David Boyd, Jamie Boyd, Lenore Boyd, Pamela Griffith, Robin Holliday, John Olsen, John Perceval, Celia Perceval, Tessa Perceval and Garry Shead as well Ray Crooke, Bogdan Fialkowski, Col Henry, Pin Hsun Hsiang, Danielle Legge, Regina Noakes, Dino Rogliani, Kinga Rypinska, Gaye Spencer, Michael Vaynman, Susan Weaver. We sell to a world wide buyer base, items of impeccable provenance and quality, recognizing the importance of a buyer confidence in purchasing genuine, authentic and original works of art. Galeria Aniela combines the knowledge of art and financial expertise. Our people focused approach ensures an enjoyable and a rewarding experience. |
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David Boyd
artist
(1924-2011)
paintings
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under the freedom of information through an extensive research, we compiled relevant facts including the links to the original source whenever possible. We found that sometimes a painting is sold with a different description thus for that reason (via the mammoth research) we included the images. We hope that you enjoy the services - credits below
We express gratitude to all Australian National galleries, Australian and International press, Google and Auction houses, without them our extensive research would not be available (compiling facts that have found relevant and useful including the links to the original source whenever possible). We hope you will enjoy the services. |
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VIDEO: Artist David Boyd dies aged 87 | ABC TV NewsVIDEO: David Boyd dies aged 87 (7pm ABC TV News NSW)
VIDEO (youtube):
ABC TV Sunday Afternoon
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Boyd
family show
in Galeria Aniela|
David and
Arthur Boyd
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About David Boyd oil on canvas paintings
David Boyd mostly paint his oils on board and
only sometimes on canvas. The canvas paintings served Boyd
as
a reference and an orientation (to remember) to later paint
on board.
i.e.
Trial series,
Europa, Children, Judges, Tasmanian Aboriginals or Music and
the Angels
series.
David Boyd
kept his primary canvas
to exhibit later in Retrospective
exhibitions. |
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David Boyd has won
significant international recognition David Fielding Gough Boyd ( 23 August 1924-2011 in Murrumbeena, Victoria) is an Australian artist, and a member of the Boyd artistic dynasty. The Boyd artistic dynasty began with the marriage of Emma Minnie à Beckett (known as Minnie) and Arthur Merric Boyd in 1886. Both were already established as painters at the time of their marriage. Their second- son William Merric Boyd married Doris Gough and had five artistic children, Lucy de Guzman Boyd, Arthur Merric Bloomfield Boyd, Guy Martin à Beckett Boyd, David Fielding Gough Boyd, and Mary Elizabeth Boyd. In 1948 David Boyd married Hermia Lloyd-Jones, the daughter of graphic artist Herman and Erica Lloyd-Jones. Following the tradition of their family, their three daughters Amanda, Lucinda, and Cassandra are artists. One of the contributors to the Antipodeans in the 50’s David Boyd and acclaimed worldwide, is a well-known ceramics and painter, began his career as a classical musician and study in Conservatorium. He became Chairman of the Contemporary Arts Society of Australia and won an Italian Government scholarship in 1961 that allowed him to work and travel in Italy. His early career in the 1950s and 60s was the subject of much controversy in Australia as his works focused on the unpopular topics of the legal system The Trial series of paintings, religion and Aboriginal people the Tasmanian Aboriginals series of paintings. In the 1970s Boyd returned living in France before re-settling in Australia. David Boyd has won significant international recognition, in 1969 David Boyd was invited by the Commonwealth Institute of Art in London to hold a major retrospective at their Art Gallery. In 1998 he received award MEMBRO ALBO DORO DEL SENATO ACCADEMICO officially recognised by the International Academy of Modern Art Rome in Italy.
COLLECTIONS: |
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![]() Blue Roses, Dreams, River of Wealth and White Cockatoos
David Boyd 1924-2011 Signed lower right: David Boyd Image size: 48 x 63 cm |
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David Boyd 1924-2011 Image: 81 x 64 cm
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David Boyd 1924-2011 Oil on board 50 x 40 cm
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![]() White Cockatoos, Gold over Water c.1974 David Boyd 1924-2011
Oil on Canvas on Board
Signed lower left: David Boyd |
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NOTES
Children, White Cockatoos and Water of Gold
'Children with White Cockatoos and Water of Gold' is a rare earlier painting circa 1974 beautiful composition with great attention to details. 'Children Playing 1978' 2007 Deutscher and Hackett SOLD $60,000 |
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![]() David Boyd 1924-2011 Oil on Board 21 x 18 cm Signed lower right: David Boyd
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![]()
Europa David Boyd 1924-2011
Oil on canvas on board |
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NOTES
Europa and Golden Wombat
written by David Boyd
the Story of the Sacred Golden Wombat and Europa from the prestigious Europa series
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LoversDavid Boyd 1924-2011 Pastel and Sfumato 30 x 39 cm
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![]() Europa with Sunflowers and A White Cockatoo 1995 from the prestigious Europa series David Boyd 1924-2011
Oil on canvas
NOTES:
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Sacred Golden-Plumed wombat "Europa and the Sacred Golden-Plumed wombat sitting on her belly". David Boyd dedicated his Legend of Europa and the Cockatoos to his brother, Arthur Boyd in appreciation of his generosity to the Australian people and his affection for cockatoos. Beautiful, Europa was hounded in her dreams and fascinated by the characteristically Australian, irresistible "Sacred Golden-Plumed wombat" sometimes sitting on her belly. Thus the title “Europa and the Sacred Golden-Plumed wombat sitting on her belly” awakens my inspiration. Europa days are fully occupied chasing golden crested white cockatoos and on other occasions Europa was chased by the rarely seen Black Cockatoo. Europa pursues the cockatoos believing that cockatoo’s crests are made of the purest gold. She is convinced that if she captures the birds and enlarges her wings with their crests she will achieve the exhilarating freedom of flight. From a hiding place in a wattle tree Europa preys on the unsuspecting birds, Europa is successful grasping their crests when they fly close. Over a period of the hundred and seven years she gradually enlarges her wings." The Legend of Europa and the Cockatoos is dedicated to my brother, Arthur Boyd (1920- 1999), in appreciation of his generosity to the Australian people and his affection for cockatoos. Written David Boyd ( 1924-2011 - ) late 1994."Unlike the various Trial series of paintings which used the visual language to express ideas about a fundamental and disturbing feature of the human condition, The Legend of Europa and the Cockatoos is presented as an entertaining parable. The following background notes may be of interest to people curious about how the series evolved. Late in 1994 I was working on some pastels called Music and the Angels. Because of the wings and the expression on the faces of the angel musicians, the pastels evoked the spirit of the Baroque rather than the exhilarating frenzy of 20th century rock music. Suddenly in December, following the opening of the new second north south runway and the closure of the main east west at Sydney Airport, the roar of jet aircraft ascending north in increasing frequency above my studio or the whining scream as they approached to land, completely drown the music of the angels. Putting aside their instruments they gazed sadly upwards or out of the picture. I have kept the angel that first appeared thus. It is called Angel Listening to the Roar of Jets Over Sydney Australia. The painting belongs to the artists collection, on occasion is included, on loan, to selected exhibitions. What has does the above got to do with a winged figure chasing cockatoos? An idea can have its genesis in unexpected ways. Since boyhood I had not given a great deal of thought to airplanes, but now with huge jet machines constantly roaring overhead it become impossible to ignore this wonder of modern technology. Remote from Jumbo jets but enough to set the imagination on fire, using the drawings as reference I painted a winged figure running to gain speed, as a pelican does before rising. To draw or paint pictures of the things would keep their menacing shape in the forefront of the mind. It happened that waiting amongst a stack of pencil drawings from the 1960's was a sketch of a winged figure running through the bush land. The title, “Europa Fleeing from a Bushfire” instantly kindled an idea. Why not! I thought. There is a link there. There followed other pictures of a related configuration - such as “Europa falling above an inland sea or leaning against the rough back of a wombat while star gazing”. At night she dreams that she is frolicking with the cockatoos. |
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Disclaimer Copyright Contact Galeria Aniela 261A Mt Scanzi Rd. Kangaroo Valley NSW 2577 Australia T: +612 4465 1494 |