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Bronzes
became one of Charles' specialities and eventually he achieved every
sculptor's ambition by having his work exhibited at the Royal Academy.
One of these was a figure entitled A Bacchante, shown at the RA
and the Paris Salon. Jo Sykes who remembers seeing Eleanor Thornton
posing in her father's studio on many oceasions, notices a strong
resemblance between Bacchante's face and figure and that of Miss
Thornton. She also identifies a Junoesque figure made about the same
time as definitely being a bronze of Miss Thornton. Two examples of this
have been traced. One belongs to Mrs. Hayter and was previously the
property of Gordon Hayter's first wife, Rose Thornton, Eleanor's sister.
It probably originally belonged to Eleanor herself, passing to Rose
after Eleanor was drowned in 1915 when the ship on which she and John
Montagu were travelling was torpedoed by a German U-boat. The other
bronze of Elpanor belongs to the family of the late Joan Thornton,
daughter of Eleanor and John Montagu. Bacchante and the Eleanor Thornton
bronze are contemporary with two other Sykes bronzes with a fascinating
history: The Sybarite (circa 1908) and Phryne. The Sybarite, for which
Eleanor Thornton posed, depicted a long-haired naked woman, standing on
a cushion. Because it failed to impress the arbiters of what was
considered to be artistic good taste Charles cut her hair short,
replaced the cushion with a round base, and renamed the figure Phryne.
The only example we have been able to trace belongs to Cynthia Sheerman,
daughter of the late Herbert anf Myra Barder, two friends of the Sykes
family. |