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THE KISS
Artist:       Auguste RODIN (1840-1917)
Title:       THE KISS
Medium:  Bronze facsimile Signed in Plate 
Size:       26 cm
Price:      SOLD

NOTES:  Several of Rodin's most famous independent sculptures, such as The Thinker, The Kiss and The Three Shades, were derived from smaller reliefs contained within The Gates of Hell. Beginning in the 1880's, Rodin exhibited many of these figures independently as freestanding sculptures. By the end of the 1880's it was clear that the museum of decorative arts would never be built, but Rodin continued to work on the project periodically for the duration of his life. During the 1880s, while working on The Gates, Rodin was gaining notoriety. His work became more and more sought after, especially among fashionable society people. He modeled many portrait busts, often not as paid commissions but as gestures of thanks or friendship. As his reputation grew so did the activity in his studio. Rodin had several people assisting him, each having their own particular job. There were assistants who created plaster casts of the original clay models, a "pointer" who would ready marble blocks to be carved, a bronze caster, and a patinater who finished the outer surface of the completed bronze sculpture. It was also during this period that Rodin met nineteen-year-old Camille Claudel while filling in for his friend who taught a sculpture class to a group of young women. Rodin soon became captivated by Camille, who had noticeable talent and an intense desire to succeed as a sculptor. While Rodin always retained his feelings for Rose Beuret, he and Camille shared more similar interests and passions. Before long she became his student, model, collaborator, and mistress. The two held a great admiration for each other that was notably evident in both of their works. Rodin created many sculptures with Camille serving as his inspiration. He made many portraits of her, in addition to creating numerous sculptures of loving couples in passionate embraces, such as one of his most famous works, The Kiss. Although they were very much in love, Rodin refused to leave his long-time companion Rose Beuret and he and Camille severed their ties by 1898.

MEDITERRANEAN
Artist:      Auguste RODIN (1840-1917)
Title:       MEDITERRANEAN
Medium:  Bronze facsimile Signed in Plate
Size:       25 cm
Price:      SOLD

Auguste Rodin Biography

Auguste Rodin (1840-1917). The French artist Auguste Rodin had a profound influence on 20th-century sculpture. His works are distinguished by their stunning strength and realism. Rodin refused to ignore the negative aspects of humanity, and his works confront distress and moral weakness as well as passion and beauty. Francois-Auguste-Rene Rodin was born on Nov. 12, 1840, in Paris. At the age of 14 he entered the Petite Ecole, a school of decorative arts in Paris. He applied three times to study at the renowned Ecole des Beaux-Arts but was rejected each time. In 1858 he began to do decorative stonework in order to make his living. Four years later the death of his sister Marie so traumatized Rodin that he entered a sacred order. The father superior of the order recognized Rodin's talents and encouraged him to pursue his art. In 1864 Rodin met a seamstress named Rose Beuret. She became his life companion and was the model for many of his works. That year Rodin submitted his Man with a Broken Nose to the Paris Salon. It was rejected but later accepted under the title Portrait of a Roman. Rodin traveled in 1875 to Italy, where the works of Michelangelo made a strong impression on him. The trip inspired his sculpture The Age of Bronze, which was exhibited at the Paris Salon in 1877. It caused a scandal because the critics could not believe that Rodin had not used a casting of a live model in creating so realistic a work. The controversy brought Rodin more fame than praise might have. In 1880 he was commissioned to create a bronze door for the future Museum of Decorative Arts. Although the work was unfinished at the time of his death, it provided the basis for some of Rodin's most influential and powerful work. In 1884 he was commissioned to create a monument that became The Burghers of Calais. His statues St. John the Baptist Preaching, Eve, The Age of Bronze, and The Thinker are world famous. Rodin died on Nov. 17, 1917, and was buried at Meudon. When Rodin was 76 years old he gave the French government the entire collection of his own works and other art objects he had acquired. They occupy the Hotel Biron in Paris as the Musee Rodin and are still placed as Rodin set them.

Several of Rodin's most famous independent sculptures, such as The Thinker, The Kiss and The Three Shades, were derived from smaller reliefs contained within The Gates of Hell. Beginning in the 1880's, Rodin exhibited many of these figures independently as freestanding sculptures. By the end of the 1880's it was clear that the museum of decorative arts would never be built, but Rodin continued to work on the project periodically for the duration of his life. During the 1880s, while working on The Gates, Rodin was gaining notoriety. His work became more and more sought after, especially among fashionable society people. He modeled many portrait busts, often not as paid commissions but as gestures of thanks or friendship. As his reputation grew so did the activity in his studio. Rodin had several people assisting him, each having their own particular job. There were assistants who created plaster casts of the original clay models, a "pointer" who would ready marble blocks to be carved, a bronze caster, and a patinater who finished the outer surface of the completed bronze sculpture. It was also during this period that Rodin met nineteen-year-old Camille Claudel while filling in for his friend who taught a sculpture class to a group of young women. Rodin soon became captivated by Camille, who had noticeable talent and an intense desire to succeed as a sculptor. While Rodin always retained his feelings for Rose Beuret, he and Camille shared more similar interests and passions. Before long she became his student, model, collaborator, and mistress. The two held a great admiration for each other that was notably evident in both of their works. Rodin created many sculptures with Camille serving as his inspiration. He made many portraits of her, in addition to creating numerous sculptures of loving couples in passionate embraces, such as one of his most famous works, The Kiss. Although they were very much in love, Rodin refused to leave his long-time companion Rose Beuret and he and Camille severed their ties by 18