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Anna Tilmouth Napangardi  B. 1950

An ancient culture of 60 thousand years gave the World its most exciting Contemporary Art

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Born 1950, Anna Tilmouth Napangardi is an accomplished Australian artist, who inherited the family  artistic talent and respomsibility. The daughter of June Bird and Johnny Tilmouth, Anna is the granddaughter of Ada Bird Petyarre (1930-2009) and was influenced by Emily Kngwarreye (1910-1996). Anna paints the family Dreamtime stories in own unique style. Anna's state-of-the-art work is considered modern abstract, that has the sheer physical presence of the much contemporary work of art. Anna work is hels in private collections in Australia and oversees.

Awards

Biography

Collections

Exhibitions


Anna Tilmouth
Ngulunga plant
Synthetic Polymer Paint on Belgian linen on Board
Framed Size: 45 cm x 45 cm
Price:
 SOLD

Anna Tilmouth

Ngulunga plant
Synthetic Polymer Paint on Belgian linen on Board
Framed Sizes: 45 cm x 45 cm
Price:
SOLD

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Anna Tilmouth

Ngulunga
Synthetic Polymer Paint on Belgian linen on Board
Framed Size: 45 x 45 cm
Price:  SOLD

Anna Tilmouth

Ngulunga
Synthetic Polymer Paint on Belgian linen on Board
Framed Size: 45 cm x 45 cm
Price: SOLD 
 

Anna Tilmouth
Ngulunga Cat. No. MB034615
Synthetic Polymer Paint on Belgian linen on Board
Image size: 93 cm x 35 cm
Framed size: 103 cm x 45 cm

The painting has the sheer physical presence of the much contemporary work of art

Price: SOLD

Galeria Aniela specializes in selling museum-quality original ART of impeccable provenance

 

Biography Anna Tilmouth Napangardi

Anna Tilmouth Napangardi was born in 1950 in Utopia, Central Desert Australia, North-east of Alice Springs.

Anna comes from a long line of famous artists, she is the daughter of June Bird and Johnny Tilmouth and the granddaughter to well-known Utopia artist Ada Bird Petyarre. And also Anna is the niece f one of Australia’s most prominent Aboriginal artists Emily Kame Kngwarreye.

When Anna was younger, she accompanied her grandmother on trips to Melbourne and she now shows a confidence in her own painting style, often experimenting with new designs and use of colours.

Anna paints several subjects including: Atnyerlenge (Native Fuchsia), Awelye (Women's Ceremony) and Imuna (Bush Food). The Atnyerlenge (Native fuchsia) plant is an important plant in her Country because of the sweet honey found in its flowers. The honey is usually sucked straight from the flower. The Atnyerlenge has beautiful red flowers and is found all over her country. In this painting she depicts the flowers of this plant and its seeds (dot work). Anna says, 'We boil the leaves in water and crush. Good bush medicine. Good for itches, cough, sores and headache. We use boiled water (it's green) for wash.'

Anna paints several subjects including: Atnyerlenge (Native Fuchsia), Awelye (Women's Ceremony) and Imuna (Bush Food). The Atnyerlenge (Native fuchsia) plant is an important plant in her Country because of the sweet honey found in its flowers. The honey is usually sucked straight from the flower. The Atnyerlenge has beautiful red flowers and is found all over her country. In this painting she depicts the flowers of this plant and its seeds (dot work). Anna says, 'We boil the leaves in water and crush. Good bush medicine. Good for itches, cough, sores and headache. We use boiled water (it's green) for wash.'

Anna Tilmouth Napangardi is influenced by Minimalism and Abstract Expressionism.

Anna paintings depict her father’s dreaming, where both the men and women collect the honey from the Mulga Tree for Women’s Ceremony and also the body paint for women’s ceremony.

The Dreamtime is the period in which life was created according to Aboriginal culture. Dreaming is the word used to explain how life came to be; it is the stories and beliefs behind creation. It is called different names in different Aboriginal languages, such as: Ngarranggarni, Tjukula Jukurrpa.


Born:  Anna
Tilmouth
Napangardi was born around 1950

Language Group: Anmatyerre, her Country is Utopia Region

Medium: Painting Synthetic Polymer Paint on Belgian linen, Acrylic on Canvas, Wood Sculpture

Subject(s) Awelye (Women’s Ceremony and body paint designs), Ngulunga (plant), Bush Foods, Mulga Story Figures

Anna like many Utopian women, are able to showcase diversity in their dreaming. In Anna’s case, her dreamtime stories include, Travelling Women, Women’s Ceremony, Bush Seeds and Body Paint, all of which are significant to the creation of and the connection to the land. Anna’s works have been exhibited throughout Australia and the United States of America, but most notably, Anna’s work was selected for the National Aboriginal and Torres Strait Islander Art prize in 1998.

Anna’s unique style of painting incorporates highly detailed dot work with contemporary illustrations, particularly women’s footsteps in her ‘Travelling Women’ dreaming. The colours used in Anna’s works perfectly complement each other as she uses a combination of earth tones set off with vibrant plums, pinks and yellows. 

 

AWARDS

1998 selected for the 15th prestigious National Aboriginal & Torres Strait Islander Art Award

Anna Tilmouth work is successfully sold on the Worldwide Market.

Anna has grow up with a strong tradition of making art, a daughter of June Bird and Johnny Tilmouth, and a niece of the most notable Australian artist Emily Kngwarreye (1910-1996) and a granddaughter of a renown Utopian artist, Ada Bird Petyarre (1930-2009) a significant member of the important group to develop the Utopian Art Movement.

Anna work has the presence of the much contemporary work of art. Anna creates inspiring paintings with fascinating accuracy of intricate details and subtle shades of colour to attain almost three Sizeal effect.

Anna Tilmouth shows a strong confidence in her individual painting style, often experimenting with new designs and she has a great sense of colour. Anna says that the designs in her paintings are inspired by the Ngulunga plant. The Ngulunga has beautiful yellow flowers with thick bristles and is found near Anna’s home land in the Utopia region.

 

COLLECTIONS

Anna Tilmouth Napangardi work has been represented around the world including:

Art and Soul Gallery Nashville Tennessee USA

Cove Gallery Portland Oregon USA,

New City Merchants Knoxville Tennessee USA

Umpqua Bank Portland Oregon USA

 Portland Art Museum Portland Oregon USA

Mary's Woods Portland Oregon USA

Urban Wine Works Portland Oregon USA

and many private collections around Australia and worldwide

 

EXHIBITIONS

2000 Mbantua Gallery, Alice Springs NT

2002 Mbantua Gallery - Art and Soul Gallery Nashville Tennessee USA

2002 Mbantua Gallery - The Cove Gallery Portland Oregon USA (Benefit - OHSU Heart Research Centre)

2002 Mbantua Gallery - Urban Wine Works Portland Oregon USA (Benefit – OHSU Heart Research Centre)

2002 Mbantua Gallery - Mary's Woods Portland Oregon USA (Benefit – OHSU Heart Research Centre)

2003 Mbantua Gallery - New City Merchants Knoxville Tennessee USA

2003 Mbantua Gallery - Art and Soul Gallery Nashville Tennessee USA

2003 Mbantua Gallery - Art and Soul Gallery Nashville Tennessee USA (Benefit - OHSU Heart Research Centre)

2003 Mbantua Gallery - Contemporary Aboriginal Art Event, Umpqua Bank Portland Oregon USA (Benefit - OHSU Heart Research Centre)

2003 Mbantua Gallery - Mary's Woods Portland Oregon USA (Benefit - OHSU Heart Research Centre)

2003 Mbantua Gallery - Art From The Dreamtime, Portland Art Museum Portland Oregon USA (Benefit - OHSU Heart Research Centre)

2004 Mbantua Gallery USA exhibition; Portland, Nashville and Greenwich

Anna comes from a long line of famous artists, mother June Bird father Johnny Tilmouth she is a granddaughter of artist Ada Bird Petyarre (1930-2009). Emily Kngwarreye (1910-1996) is Anna's great-aunt. Living in a creative environment and influenced by her family heritage, Anna began painting early.

 

Anna’s dreamtime stories include, Travelling Women, Women’s Ceremony, Bush Seeds and Body Paint, all of which are significant to the creation of and the connection to the land.

Anna’s works have been exhibited throughout Australia and the United States of America, but most notably, Anna’s work was selected for the National Aboriginal and Torres Strait Islander Art prize in 1998.

Anna’s unique style of painting incorporates highly detailed dot work with contemporary illustrations, particularly women’s footsteps in her ‘Travelling Women’ dreaming.

The colours used in Anna’s works perfectly complement each other as she uses a combination of earth tones set off with vibrant plums, pinks and yellows. 

Anna’s dreamtime stories include, Travelling Women, Women’s Ceremony, Bush Seeds and Body Paint, all of which are significant to the creation of and the connection to the land.

Anna’s works have been exhibited throughout Australia and the United States of America, but most notably, Anna’s work was selected for the National Aboriginal and Torres Strait Islander Art prize in 1998.

Anna’s unique style of painting incorporates highly detailed dot work with contemporary illustrations, particularly women’s footsteps in her ‘Travelling Women’ dreaming.

The colours used in Anna’s works perfectly complement she uses a combination of earth tones set off with vibrant plums, pinks and yellows. 

The Dreamtime is the period in which life was created according to Aboriginal culture. Dreaming is the word used to explain how life came to be; it is the stories and beliefs behind creation. It is called different names in different Aboriginal languages, such as: Ngarranggarni, Tjukula Jukurrpa.

 

Source & FURTHER REFERENCES 

Aboriginal Artists of the Western Desert - A Biographical Dictionary" by Vivien Johnson, published by Craftsman House 1994

"The Oxford Companion to Aboriginal Art and Culture" edited by Sylvia Kleinert and Margo Neale published by OUP 2000

Australian Aboriginal Artist Encyclopedia” dictionary of biographies” Kreczmanski, Janusz B & Birnberg, Margo (eds.)

Aboriginal Artists: Dictionary of Biographies: Central Desert, Western Desert & Kimberley Region (JB Publishing Australia, Marleston, 2004

Brody, A. 1989 Utopia women’s Paintings: the First Works on Canvas, A summer Project

1988-89 exhib. Cat. Heytesbury Holdings, Perth Brody

A. 1990 Utopia, a picture Story, 88 Silk Batiks from the Robert Homes a Court Gallery and gallery Collection

Heytesbury Holdings LTD Perth NATSIVAD database;  Latz, P. 1995, Bushfires & Bushtucker, IAD Press, Alice Springs.

Latz, P. 1995, Bushfires & Bushtucker, IAD Press, Alice Springs.

 

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Testimonials

 

Founded in 1994, Galeria Aniela exhibited world-class artists and received celebrities including Sir David Attenborough, Cameron O’Reilly and Hon Bob Hawke, Australian Prime Minister. Galeria Aniela built a strong standing in Australia and internationally.

Video |Jamie Boyd, the Boyd family most important LIVING artist
 

The BOYD family exhibition in Galeria Aniela coup the front page Sydney Morning Herald, Australian National NEWS ABC TV and Sunday Afternoon ABC TV.

John Perceval Retrospective won the Australian National NEWS ABC TV and Charles Blackman Retrospective conquer Australian Art Scream SBS TV.

 


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