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Galeria
Aniela
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Galeria Aniela Fine
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Andrew Sibley
1933-2015 |
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Andrew
Sibley (1933-2015) was a renowned 20th century
artist with a career spanning over six decades. He was a
finalist in the Daily Telegraph Sporting Portrait Prize with
‘Merilyn Peddell’ held in conjunction with the Archibald
Prize 2000. His work is
held in significant collections like Australian
Embassy Washington and
National Gallery of Australia, National Gallery of Victoria, Art Gallery of NSW,
Queensland Art Gallery, Art Gallery of South Australia, National Portrait
Gallery, Tarrawarra Museum of Art, and many more.
In
2000, Sibley's
Executive in Love
sold for $41,400 and
Playground
$34,500. In 2001
Musician in Love
sold for
$25,850 and
Killer
sold for
$23,000 (1999).
While his work is represented in major institutions like the
NGA and NGV, the market for his art has softened due to a lack of active gallery
representation since 2015. |
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Andrew Sibley (1933-2015)
Love Bond
1999
Enamel Oil
Paint
on Canvas
Signed and Dated lower right: 'Sibley 99'
Image : 72 cm x 65 cm
Framed :102 cm x 95 cm
Price:
SOLD
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"Enamel
Oil Paint"
are oil-based enamel paints. These paints have a
high gloss, high durability, and self-leveling
properties, resulting in a flat, often glossy
finish without visible brushstrokes. Enamel
paint is hard and durable, but the paint can crack on
canvas.
Artists like
Pablo Picasso,
Jackson Pollock
,
Hermann-Paul,
and Sidney Nolan have used commercial
enamel paints ,
such as the brand
Ripolin,
in their work, often mixing it with traditional
oil paints to achieve different effects like
crisp edges and uniform layers.
Also,
Inka
Essenhigh and
George
Shaw, have incorporated enamel
paints into their practice, with Essenhigh
switching from oil to enamel and Shaw using
model-specific enamels like
Humbrol.
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Auction Houses Results
Due to
a lack of active gallery representation since 2015, the
market
for
Andrew Sibley’s
art
has softened.
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Details |
Prices sold - auction houses |
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Executive in Love
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Mad Lovers Series
Oil on canvas, signed and dated 97,
136 x 120 cm
Sotheby's, Fine
Australian and International Paintings, Melbourne,
02/05/2000,
Lot No. 9 |
$41,400 |
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Playground I
Oil on canvas, signed and dated 1998 lower right,
signed, 183 x 244 cm
, Sotheby's, Fine Australian and
International Paintings and Australia, Sydney,
15/08/2000,
Lot No. 5 |
$34,500 |
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Musicians in Love
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Mad Lovers Series
Oil on linen, signed and dated
'Sibley 2001', Mad Lovers
Series', 91.5 x 101.5 cm,
Christies, Australian & International Fine Art
Melbourne,
08/05/2001,
Lot No. 67 |
$25,850 |
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My Place
Five O'clock Swanston Street 1998
Synthetic polymer paint on canvas,
112 x 292 cm, (Swanston St.) Andrew Sibley
Entry
Sulman Prize 1998,
Deutscher~Menzies, Australian and International
Paintings, Sculpture and Works on Paper, Melbourne,
24/11/1999,
Lot No. 20 |
$25,300 |
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Killer in the Zoo
Oil on canvas, signed and dated '90 lower left,
inscribed with the title along lower edge and on the
reverse, 77 x 90 cm, Sotheby's, Fine Australian,
Aboriginal and International Paintings Melbourne,
22/11/1999,
Lot No. 3 |
$23,000 |
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Andrew Sibley Biography
Andrew Sibley is one of Australia’s most celebrated 20th
century artists recognised worldwide. With a career spanning
six decades, Andrew Sibley is considered a contemporary
figurative and landscapes painter. Andrew Sibley applauded
the freedom and revitalisation of his remarkable figurative
path. English-born, Andrew Sibley was firmly an Australian
artist.
AWARDS
In 1944, Sibley was awarded a scholarship to Gravesend
School of Art (later the Medway School), where he studied
with fellow students including English artist Peter Blake.
He spoke of these strong early influencers on his life in an
interview with Barbara Blackman recorded in 1984. In 1962
Andrew Sibley won Australia's richest art award, the £1000
Transfield Art Prize for his painting The Bathers. At
the same time, the prominent Sydney gallerist Rudy Komon
signed Sibley and he joined a stable of Australia’s best
contemporary artists including Melburnians Fred Williams,
Clifton Pugh,
George Baldessin, John Brack, Leonard French and Jan
Senbergs,
Jon Molvig, John Olsen, and Robert Dickerson.
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2015 |
Finalist - City of Hobart Art Prize |
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2004 |
Finalist - Dobell Prize |
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2004 |
Finalist - Doug Moran National Portrait Prize |
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1998 |
Sulman Price entry |
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1998 |
First Prize - Stanthorpe Aquisition Prize1998 |
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1996 |
First Prize - Tattersall's Landscape Prize |
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1975 |
First Prize - Dalby City Art Prize |
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1970 |
First Prize - Gold Coast Art Prize |
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1969 |
First Prize - Georges Prize |
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1962 |
First Prize - Transfield Art Prize
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1961
Toowoomba Chronicle
Art Prize Sydney
1962 Transfield prize
1965 Winemakers prize (shared with Michael Shannon), ;
1967 Bathurst
1968 Georges Invitation, Melbourne
1969 Launceston (QVMAG purchase)
1969 Shepparton
1970 Gold Coast City (purchase)
1972 Townsville (purchase)
The Winemakers’ Prize (shared), Melbourne
Caltex-Warana Prize, Brisbane
Bathurst City Purchase Prize
Andrew
Fairley Art Prize, Shepparton
Georges Invitation Award (shared)
Melbourne
Gold Coast City Art Prize
Launceston Art Purchase
Townsville Pacific Festival Art Prize
Dalby Art Exhibition Prize
Tattersall’s Invitation Landscape Prize
Brisbane and Stanthorpe Arts
Festival Acquisitive Award
Finalist in Dobell Prize and Doug Moran
National Portrait Prize
COLLECTIONS
Andrew Sibley
work is represented in all Australian national and state galleries, leading
municipal, university and regional galleries, and private collections in
Australia and abroad.
 National Gallery of Australia
Art Gallery of New South Wales
National Gallery of Victoria, Melbourne
Queensland Art Gallery, Brisbane
Homes a Court
Collection
Art Gallery of Western Australia
Art Gallery of South Australia
Art Bank Sydney
National Gallery of Victoria
Victorian Art Centre Melbourne |
acquisitions
The acquisition complemented the Library’s holdings of
published works about
Andrew Sibley and oral
history recordings made in 1963 and 1984.
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New England Regional Art Museum
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Perc Tucker Regional Gallery |
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Queen Victoria Museum and Art Gallery
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Newcastle Regional Art Gallery |
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National Library of Australia |
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Horsham Art Gallery |
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La Trobe Regional Gallery |
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Shepparton Art Gallery |
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Stanthorpe Regional Art Gallery |
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Wollongong City Gallery |
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University Collections throughout Australia |
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Private Collections in Australia and abroad |
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Wagga Wagga Regional Art Gallery |
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Toowoomba Regional Art Gallery |
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Swan Hill Regional Art Gallery |
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Tasmanian Museum and Art Gallery |
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Hamilton Art Gallery |
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Gold Coast City Art Gallery |
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Art Gallery of Western Australia
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National Portrait Gallery |
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Parliament House Collection |
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Art Gallery of South Australia |
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Queensland Art Gallery |
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National Gallery of Victoria |
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Art Gallery of New South Wales |
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Australian Embassy Collection, Washington |
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Tarrawarra Museum of Art |
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Broken Hill City Art Gallery |
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Geelong Gallery |
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Bathurst Regional Gallery |
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Ballarat Fine Art Gallery |
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Heidi Museum of Modern Art |
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Artbank |
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National Gallery of Australia |
Early Life
Andrew Sibley was born at Adisham in Kent, England on 9 July
1933. When his family home was bombed in the London Blitz,
Sibley was relocated to Sittingbourne then to Northfleet,
both in Kent. 1948 Sibley family migrated to Australia.
1951 Andrew Sibley undertook National Service Training with
the Royal Australian Navy after which he spent a short time
working in Port Moresby in PNG before returning to Brisbane.
In 1950s Andrew Sibley began formal training as a painter in
Brisbane and worked with some of the most famous Australian
artists including
Charles Blackman,
Clifton Pugh,
Jon Molvig
and
Ian Fairweather,
and
Roy Churcher
they became the nuclei of two different art groups that
enriched the local art milieu. Sibley became a key member of
the so-called “Brisbane School” together with Molvig,
Churcher and Ian Fairweather (Bribie Island).
1960 Andrew Sibley held his first solo exhibition at Rowes
Arcade Gallery in Edward Street Brisbane. A key work that
year, The Shire Hall (1960) is indicative of Sibley’s
strong emerging style and use of colour.
1962 Sibley exhibited at the
Whitechapel Gallery
in London and was included in “Australian Painting Colonial,
Impressionist, Contemporary” at the
Tate Gallery,
London.
1962 Andrew Sibley won Australia's richest art award, the
£1000 Transfield Art Prize for his painting The Bathers.
At the same time, the prominent Sydney gallerist Rudy Komon
signed Sibley and he joined a stable of Australia’s best
contemporary artists including Melburnians
Fred Williams,
Clifton Pugh,
George Baldessin,
John Brack, Leonard French
and
Jan Senbergs,
Jon Molvig,
John Olsen,
and
Robert Dickerson.
Selected
Exhibitions
Sibley’s exhibitions received strong attendances and
critical acclaim while his work was bought by state
galleries and private collectors. In subsequent years, he
was regularly hung in the Archibald, Wynne and Blake prizes.
It is notable that from 1960 to the end of his life, Sibley
had more than 60 solo exhibitions to great commercial
success.
Andrew Sibley was also noticed outside of Australia.
1963 Sibley was shortlisted in numerous prizes and was hung
in “Australian Painting Today touring Europe”, and “Young
Painters Biennale”, Paris. By the mid-1960s, Sibley’s
paintings were being included in significant exhibitions in
both Japan and the USA in Washington.
1967 Andrew Sibley met
Irena Sibley
(née Pauliukonis) and followed her to Sydney, where they
were married. The Sibleys made their home in Melbourne.
1967-1987 Andrew Sibley was a significant art educator and a
Senior Lecturer at RMIT University and Head of Painting at
Monash University from 1990-1999.
A perfectionist, one of Sibley’s biographers recounts that
Andrew Sibley once destroyed about ten years’ of work.
Literature: David Thomas in Andrew Sibley: An Epic of the
Everyman, Sibley followed his own
1970 Andrew Sibley work included in an exhibition titled "Miniaturen
'70 International" in West Germany.
1972 Andrew Sibley undertook a residency in Berlin. Sibley’s
connection to Germany continued throughout his life with two
more shows in the mid-1970s.
In the mid-1980’s Andrew Sibley had numerous exhibitions in
Cologne
2017 Andrew Sibley was awarded a retrospective of his work
that was held in Berlin.
Most significantly artists such as
Max Beckman,
Paul Klee,
Edmund Munch,
Francis Bacon
directly influenced him; Sibley’s affinity with German and
European Art was based on more than just his exhibiting
there. These artistic remained a key part of his work
throughout Andrew Sibley highly successful career.
2015 Sibley suffered a fall though in his final months in
care, Sibley began to sketch again and some of these works,
made with pen on paper, were amongst his last shown during
his life. Andrew Sibley died in Melbourne on 3 September
2015.
Sibley’s work is represented in all the major institutional
collections in Australia including
National Galleries of Australia,
National Gallery of Victoria,
Art Gallery of NSW,
Queensland Art Gallery,
Art Gallery of SA,
Parliament House Canberra,
Australian National Portrait Gallery,
Tarrawarra Museum of Art,
and all regional galleries throughout Australia.
Andrew Sibley work is held in significant collections in
Asia, Europe and the United States including the Australian
Embassy Collection Washington USA.
A
dedicated figurative painter for most of his life, Andrew
Sibley career spanned more than six decades,
the popularity of Sibley's work among
the country's art establishment fluctuated despite critical
acclaim both here and overseas.
This was especially true during the 1970s as he eschewed a
trend towards a more nationalistic style of expressionism in favour of a European-influenced aesthetic.
Andrew Sibley is a renowned as artist,
notable in the Archibald Prize.
Sibley
work is the subject of a 1993 monograph by the Canberra-based art
historian Sasha Grishin.
Andrew Sibley work is represented
in all Australian national and state galleries, leading
municipal, university and regional galleries, and private
collections in Australia and abroad including
Parliament House
and Australian National Regional galleries in Ballarat, Bendigo, Launceston, Mornington,
Shapparton, Townsville and Australian Embassy in Washington, State libraries
in Victoria, New South Wales and Queensland.
According to McCulloch’s Encyclopedia of Australian Art
(St. Leonards, NSW: Allen & Unwin, 1994), Sibley’s work has remained
distinctive for over 40 years of productive output.
Andrew Sibley
has held annual
exhibitions in Melbourne and has been the subject of a number of
publications including Rodney Hall’s, Focus on Andrew Sibley (Brisbane:
University of Queensland Press, 1968) and Sasha Grishin’s, Andrew Sibley
(East Roseville, NSW: G & B Arts International; distributed by Craftsman
House, 1993).
Sibley’s work is widely represented in Australian
galleries and the State libraries of New South Wales, Victoria and
Queensland.
Andrew
Sibley was a painter and teacher, he arrived in Australia from
England in 1948, having studied at the Gravesend School of Art.
Andrew
Sibley was associated with Jon Molvig from 1958 to 1963. Andrew
Sibley moved to Melbourne in
1966 and held annual exhibitions there for more than thirty years. From
1966 to 1990 Andrew
Sibley lecturer in Fine Arts at RMIT a Head of Painting in the Monash University Faculty of Art and
Design.
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1933 |
Born Addisham, Kent,
England |
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1944 - 1948 |
Studied at Gravesend
School of Art |
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1948 |
Emigrated to
Australia |
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1957 |
Began exhibiting
nationally. Friendship with Jon Molvig. |
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1960 |
First solo
exhibition. |
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1961 |
Included in Recent
Australian Painting, Whitechapel Art Gallery,
London. |
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First exhibited in
Archibald and Wynne Prize exhibitions. |
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1962 |
Australian Painting,
Colonial, Impressionist, Contemporary, Tate Gallery,
London. |
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Awarded Transfield
Art Prize. |
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1963 |
Australian Painting
Today touring Europe, and Young Painters Biennale,
Paris. |
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1964 |
Moved to Sydney. |
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1965 |
Moved to Melbourne,
Young Australian Painters exhibition, touring Japan. |
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Lecturer, Royal
Melbourne Institute of Technology. |
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1968 |
Focus on Andrew
Sibley by Rodney Hall, published by University of
Queensland. |
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1972 |
Berliner Kunstler
Programme, artist-in-residence, Berlin. |
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1993 |
Andrew Sibley: Art on
the Fringe of Being by Sasha Grishin, published by
Craftsman House, Sydney |
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1997-1999 |
Head of Painting,
Faculty of Art & Design, Monash University,
Caulfield Campus. |
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1999 |
Retired from teaching
to paint full time. |
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1960 - 2005 |
Over 80 solo
exhibitions throughout Australia (including three at
Gomboc Gallery), in Germany and USA. |
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1961 - 2004 |
Awarded numerous art
prizes including Toowoomba Chronicle Art Prize,
Sydney; The Winemakers’ Prize (shared), Melbourne;
Caltex-Warana Prize, Brisbane; Bathurst City
Purchase Prize; Andrew Fairley Art Prize, Shepparton;
Georges Invitation Award (shared) Melbourne; Gold
Coast City Art Prize; Launceston Art Purchase;
Townsville Pacific Festival Art Prize; Dalby Art
Exhibition Prize; Tattersall’s Invitation Landscape
Prize, Brisbane and Stanthorpe Arts Festival
Acquisitive Award; Finalist in Dobell Prize and Doug
Moran National Portrait Prize. |
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2015 |
Kick Gallery Melbourne Andrew Sibley Early Paintings
Last Drawings |
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2015 |
Marina Bay Sands Singapore Art Stage Singapore 2015
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2014 |
Melbourne Art Fair 2014 Carlton, The
Royal Exhibition Building |
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2014
2014 |
The Royal Botanic Gardens and Domain Precinct
Kick Gallery Collingwood, Melbourne |
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2013 |
Kick Gallery Collingwood, Melbourne
Pivotal |
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2012 |
Kick Gallery Collingwood, Melbourne
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Galeria Aniela provides a
professional,
independent, Art Advisory and procurement
service. Founded in 1994, Galeria Aniela
Fine
Art gallery and Sculpture Park
has gained acclaim both in Australia and internationally
for its fascinating
exhibitions,
which feature world-class
artists,
and have hosted celebrities such as
Sir David Attenborough,
Cameron
O’Reilly,
and
Bob Hawke,
former Australian Prime Minister.
If you seek
to acquire or divest works
by
Arthur
Boyd,
Brett Whiteley,
John Perceval,
Fred Williams,
Charles
Blackman,
Garry Shead,
David Boyd
or
Ray
Crooke
or another important artist, or need a
referral to a professional valuer
-
please
contact-us.
I am available at
+61 409 980 018
and via
email.

Galeria Aniela professional art market service
others unable to match
Where Artistic Passion Meets Strategic Growth
-
acquire
art of impeccable
provenance,
where quality meets enduring investment value.
Combining art expertise with a vast network of
resources, Galeria Aniela helps you navigate the global
art market. We guide you through every aspect of fine
art dealings, saving you both time and
money.
Whether you are a first-time buyer, an astute investor,
or refining your portfolio,
our people focused approach ensures an enjoyable
and rewarding experience,
now and in the future -
please
contact-us
via
email
or
+61 409 980 618
to discuss your options.
Testimonials

LEFT Nov. 2023 Photo: Aniela and Cameron Menzies
RIGHT 2003 Photo: Aniela,
Bob Hawke
and Blanche D'Alpuget
At
Galeria Aniela,
Fine Art
refers to
high-quality
works by
renowned
artists.

Jamie Boyd, the Boyd family important
artist (19 November 1948 - 31 October 2025)
The
enduring friendship between Galeria Aniela and the legendary
Boyd family
has been a defining force in our professional journey, marking over three
decades of collaboration and shared artistic vision.
Arthur Boyd's
legacy remains a focal point in the Australian art world. Our relationship with
the legendary
Arthur Boyd
began in 1995. It has been a true privilege to nurture this friendship and host
numerous exhibitions of the Boyd’s family profound work.
Immerse yourself in
world-class art
that captures the depth of global
culture.
Historical Milestone Partnerships:
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In
1997, Galeria Aniela had the distinct privilege of hosting the landmark
‘Best of Boyd’ exhibition. This historic event marked the first time six
members of the artistic dynasty -
Arthur Boyd,
Guy Boyd,
David Boyd,
Jamie Boyd,
Lenore Boyd
along with
Tessa
Perceval exhibited together under one roof. Comprising 100
paintings and 40 bronze sculptures, the exhibition garnered major national
attention, featuring on the front
page of the
Sydney
Morning Herald and in dedicated segments on ABC TV’s
Australian
National News and
Sunday
Afternoon.
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In
2000, Galeria Aniela
Fine Art
Gallery had the honor of holding the
John
Perceval Retrospective. Featuring 80 works spanning 1946
to 1999, the exhibition was a major media event, famously captured by the
ABC TV
National
News, who flew the Australian National News crew to
the gallery's Sculpture Park by helicopter to document the opening.
Exhibition Dates: August 19 – October 19, 2000. Media Coverage:
Reported by senior journalist Anne Maria Nicholson for ABC TV. Opening:
Officially opened by Justin Miller Chairman of Sotheby’s Australia on August
19, 2000.
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In
2002, Galeria Aniela
Fine Art
Gallery hosted a major retrospective for
Charles
Blackman. This landmark
Blackman
Retrospective, curated by Blackman Trust curator Walter
Granek, gained significant national recognition and was featured on SBS TV's
Art-Scream.
Historical Legacy: As of 2025, Charles Blackman (1928–2018) remains one of
Australia's most beloved figurative artists, and this retrospective is a key
part of his
exhibition history.
Current Highlights and Representation:
-
Jamie Boyd
(1948–2025): We deeply mourn the passing of
Jamie Boyd, the son of Arthur and Yvonne Boyd. We continue to celebrate
Jamie Boyd legacy as one of the family's
most important international artists, honoring him as a paramount figure in
their history.
-
2026,
Ongoing Exhibitions & Support:
Galeria Aniela continues to champion the Boyd family's legacy,
recently supporting the landmark 2025 summer exhibition,
The Hidden
Line: Art of the Boyd Women, held at
Bundanon.
Dear Aniela, I am writing to thank you for all your support for the launch of
The Hidden
Line: Art of the Boyd Women,
myself and the team at
Bundanon
are very grateful to you for all your help in making such a significant
exhibition possible.
Warmest regards,
Meghan Kennedy
Curatorial Project Officer
Bundanon Trust
Comprehensive Family Works:
Galeria Aniela curates significant collections of works by the Boyd family,
including prominent Australian artists such as
Arthur Boyd,
David Boyd,
Guy Boyd,
Jamie Boyd,
and Lenore
Boyd.
Combining expertise in the Australian art market with a
wide network of resources, Galeria Aniela assists
clients in all aspects of dealings in fine art, from the
point of the investment value, quality, and provenance. Our
people-focused approach ensures a rewarding experience
for first-time buyers, investors, and collectors alike.
PAST
Exhibitions
Works
of art live for generations, constantly reborn in the minds of the beholders to
bring new meanings, new dreams, new ways of seeing and experiencing the world.
Be part of this magic world of amazing fine art from the ocean of tranquillity
to concur the heart, mind and soul.
The
vision of Galeria Aniela is to increase the awareness of
artists cultural contribution. With
passion and dedication, we strive for high ideals to create a
better future for the artists and the arts.
When you purchase Art from Galeria Aniela, you make
a valuable contribution to our mission of helping artists to make a living with
their creations and together we make a difference.
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